| Abstract | 第1-7页 |
| 内容摘要 | 第7-10页 |
| Chapter One Introduction | 第10-14页 |
| ·The Life and Career of Aeschylus-Father of Greek Drama | 第10-12页 |
| ·The Life and Career of Eugene O'Neill-Father of American Drama | 第12页 |
| ·Mourning and Oresteia Being Comparable | 第12-14页 |
| Chapter Two Affinities of Mourning and Oresteia | 第14-36页 |
| ·Backgrounds and Settings of the Two Trilogies | 第14-15页 |
| ·Affinities in Plot | 第15-23页 |
| ·Affinities in Characters | 第23-29页 |
| ·Affinities of Mourning and Oresteia in the Use of Chorus | 第29-36页 |
| Chapter Three O'Neill's Revision of the Oresteia: A Freudian Approach to Mourning | 第36-51页 |
| ·O'Neill's Revision of the Oresteia | 第36-43页 |
| ·The Electra Complex of Lavinia | 第43-45页 |
| ·The Tongue Slip or Freudian Slip of Lavinia | 第45-47页 |
| ·The Oedipus Complex of Orin | 第47-51页 |
| Chapter Four Conclusion: Mourning Being a Modem Treatment of an Ancient Theme | 第51-57页 |
| ·Both Lavinia and Orin Being Victims of Inner Psychoiogy | 第51-55页 |
| ·Oresteia Being a Representative Greek Fate Drama and Mourning Being a Typical Modern Psychological Tragedy | 第55-57页 |
| Bibliography | 第57-60页 |
