| Acknowledgements | 第1-5页 |
| 摘要 | 第5-6页 |
| Abstract | 第6-10页 |
| Chapter 1 Introduction | 第10-14页 |
| ·Significance of the Study | 第10-11页 |
| ·Methodology | 第11-12页 |
| ·Organization of the Study | 第12-14页 |
| Chapter 2 Literature Review | 第14-25页 |
| ·Previous Studies on C-E Translation of Classical Chinese poetry | 第14-16页 |
| ·Previous Studies on C-E Translation of Chang Hen Ge | 第16-18页 |
| ·Domestic Studies | 第16-17页 |
| ·Foreign studies | 第17-18页 |
| ·Tang Poetry and Bai Juyi's Chang Hen Ge | 第18-25页 |
| ·Tang Poetry--The Gem of Classical Chinese poetry | 第18-20页 |
| ·Translatability of Poetry | 第20-21页 |
| ·Bai Juyi's Life and His Tang Poetry | 第21-23页 |
| ·The Artistic Features of Bai Juyi's Poetry | 第23-24页 |
| ·A Brief Introduction to Chang Hen Ge | 第24-25页 |
| Chapter 3 Xu Yuanchong and his Theories on Poetry Translation | 第25-29页 |
| ·A Brief Introduction to Xu Yuanchong | 第25-26页 |
| ·Xu Yuanchong's Three Beauties Theory on Poetry Translation | 第26-27页 |
| ·Xu Yuanchong's Other Translation Theories | 第27-29页 |
| ·Three -it Theory | 第27-28页 |
| ·Three-ize Theory | 第28-29页 |
| Chapter 4 Reproduction of Sense, Sound and Form in C-E Translation of Poetry Translation | 第29-47页 |
| ·Reproduction of Beauty in Sense | 第29-37页 |
| ·Sense of Poetry | 第29-30页 |
| ·Reproduction of Images | 第30-33页 |
| ·Translation of Culture-loaded Words | 第33-35页 |
| ·Translation of Allusion | 第35-37页 |
| ·Reproduction of Beauty in Sound | 第37-42页 |
| ·Sound of Poetry | 第37-38页 |
| ·Reproduction of Meter | 第38-40页 |
| ·Reproduction of End Rhyme | 第40-42页 |
| ·Reproduction of Beauty in Form | 第42-47页 |
| ·Form of Poetry | 第42-44页 |
| ·Reproduction of Beauty in Parallelism | 第44-45页 |
| ·Reproduction of Beauty in Line Length | 第45-47页 |
| Chapter 5 Conclusion | 第47-49页 |
| Bibliography | 第49-52页 |
| Papers Published During the Study for M. A. Degree | 第52-53页 |
