| 摘要 | 第1-5页 |
| Abstract | 第5-6页 |
| Acknowledgements | 第6-8页 |
| Introduction | 第8-14页 |
| Chapter One On Self-Translation | 第14-26页 |
| ·Definition and Attribution of Self-Translation | 第14-17页 |
| ·Definition of Self-Translation | 第14-15页 |
| ·Attribution of Self-Translation | 第15-17页 |
| ·Causes for Self-Translation | 第17-22页 |
| ·Preconditions for Self-Translators | 第17-19页 |
| ·Subjective Causes | 第19-20页 |
| ·Objective Causes | 第20-22页 |
| ·The Development of Self-Translation and Its Study | 第22-26页 |
| ·Self-Translation and Its Study Home and Abroad | 第22-24页 |
| ·An Outlook on the Present Study of Poetry Self-Translation | 第24-26页 |
| Chapter Two Bian Zhilin as a Poet and Translator | 第26-37页 |
| ·A Survey of Bian as a Poet | 第27-31页 |
| ·Poems of Early Years (1930--1937) | 第27-29页 |
| ·Poems of Middle Phase (1938--1949) | 第29-30页 |
| ·Poems of Late Phase（1949--2001） | 第30-31页 |
| ·A Survey of Bian as a Translator | 第31-37页 |
| ·Bian’s Translation Practice | 第31-32页 |
| ·Bian’s Translation Theory | 第32-37页 |
| Chapter Three Bian’s Poetry Self-Translation | 第37-79页 |
| ·An Introduction into Bian’s Poetry Self-Translation | 第37-40页 |
| ·Features of the Original Poems on Poetic Form | 第40-53页 |
| ·Maturation and Neatness in Rhythm | 第43-46页 |
| ·Flexibility and Variety in Rhyme | 第46-49页 |
| ·Ingenious Arrangement in Structure | 第49-53页 |
| ·Self-Translation Style on Poetic Form | 第53-75页 |
| ·Rhythm: Not Strictly “Replacing a Chinese Pause with an English Foot” | 第53-62页 |
| ·Rhyme: Not Strictly Keeping Accordance with the Original | 第62-68页 |
| ·Structure: Making Ingenious Transformation in Poetic Structure | 第68-72页 |
| ·A Summary | 第72-75页 |
| ·Significance of Bian’s Poetry Self-Translation | 第75-79页 |
| ·Promoting the Transmission of Chinese New-style Poems | 第75-76页 |
| ·Explaining the Amplification Phenomenon in Self-Translation | 第76-79页 |
| Conclusion | 第79-83页 |
| Works Cited | 第83-84页 |
