| Chapter One Introduction | 第1-16页 |
| 1．1． Purpose, Drama Creation and Drama Translation | 第9-11页 |
| 1．2． Language, Dramatic Art and Drama Translation | 第11-13页 |
| 1．3． Research Question and Significance | 第13-14页 |
| 1．4． Sources of Data | 第14页 |
| 1．5． Theories Applied and Methods of Analysis | 第14-15页 |
| 1．6． Layout of the Thesis | 第15-16页 |
| Chapter Two Literature Review | 第16-33页 |
| 2．1． Study of Drama Language | 第16-19页 |
| 2．2． Study of Drama Translation | 第19-29页 |
| 2．2．1． Speakability, Playability and Performability | 第20-22页 |
| 2．2．2． Readability | 第22-23页 |
| 2．2．3． Recent Studies of Drama Translation | 第23-26页 |
| 2．2．4． Skopostheorie: Historical Overview | 第26-29页 |
| 2．3． Teahouse | 第29-33页 |
| 2．3．1． Teahouse in China and Its Author | 第29-31页 |
| 2．3．2． Two English Versions of Teahouse and the Translators | 第31-33页 |
| Chapter Three Theoretical Framework | 第33-40页 |
| 3．1． Characteristics of Stage Performance | 第33-34页 |
| 3．2． Summary of Drama Language Features | 第34-35页 |
| 3．3． Skopos Rule | 第35-37页 |
| 3．4． Two Representative Views about Stage-oriented Drama Translation | 第37-40页 |
| Chapter Four General Features of Drama Language and Their Implications for Drama Translation | 第40-69页 |
| 4．1． Colloquialism | 第41-46页 |
| 4．2． Brevity | 第46-49页 |
| 4．3． Natural for Speech | 第49-54页 |
| 4．4．Gesture of Language | 第54-59页 |
| 4．5． Characterization of Speech | 第59-64页 |
| 4．6． Dialect | 第64-69页 |
| Chapter Five Conclusion | 第69-71页 |
| Bibliography | 第71-74页 |
