Abstract | 第1-7页 |
摘要 | 第7-11页 |
Chapter 1 Introduction | 第11-16页 |
·Background of the Research | 第11-12页 |
·Rationales and Methodology of the Research | 第12-13页 |
·Purpose and Significance of the Research | 第13-14页 |
·Organization of the Thesis | 第14-16页 |
Chapter 2 Literature Review | 第16-22页 |
·Overview of the Filmic Discourse | 第16-18页 |
·Researches on Film Language with Semiotic Approach | 第16-17页 |
·Framework Adopted for Filmic Discourse Analysis | 第17-18页 |
·Overview of Multimodal Discourse Analysis | 第18-22页 |
·Transition from Discourse Analysis to Multimodality | 第18-20页 |
·Definition of Multimodality | 第20-21页 |
·Research of Multimodal Discourse Analysis with Functional Approach | 第21-22页 |
Chapter 3 Theoretical Framework | 第22-29页 |
·Functional Grammar | 第22-23页 |
·Visual Grammar | 第23-27页 |
·Representational Meaning | 第23-25页 |
·Interactive Meaning | 第25-26页 |
·Compositional Meaning | 第26-27页 |
·A Proposed Framework for Analyzing the Filmic Discourse Gone with the Wind | 第27-29页 |
Chapter 4 A Case Study of Gone With the Wind Within the Proposed Framework | 第29-46页 |
·Analysis from the Representational Meaning | 第29-33页 |
·The Representation of the Narrative Process | 第29-32页 |
·The Representation of the Conceptual Process | 第32-33页 |
·Analysis from the Interactive Meaning | 第33-43页 |
·Contact | 第33-35页 |
·Social Distance | 第35-37页 |
·Perspective | 第37-39页 |
·Modality | 第39-43页 |
·Analysis from the Compositional Meaning | 第43-46页 |
·Information Value | 第43-44页 |
·Salience | 第44-45页 |
·Framing | 第45-46页 |
Chapter 5 A Synthetic Analysis | 第46-53页 |
·Classification of Different Modalities in the Film | 第46-48页 |
·Modality Forms in the Film | 第46页 |
·Relationship Among Different Modalities | 第46-47页 |
·The Integration of Different Modalities in the Film | 第47-48页 |
·A Synthetic Analysis of the Film | 第48-53页 |
Chapter 6 Conclusion | 第53-55页 |
·Conclusion | 第53-54页 |
·Limitations and Suggestions for Further Research | 第54-55页 |
Works Cited | 第55-56页 |
Bibliography | 第56-58页 |
Acknowledgements | 第58页 |