| 摘要 | 第5-6页 |
| Abstract | 第6-7页 |
| Contents | 第8-10页 |
| Chapter 1 Introduction | 第10-12页 |
| 1.1 The Background and Significance of the Study | 第10页 |
| 1.2 The Goal and Rationale of the Study | 第10-11页 |
| 1.3 Organization of the Thesis | 第11-12页 |
| Chapter 2 Literature Review | 第12-18页 |
| 2.1 Major Concepts | 第12-14页 |
| 2.1.1 Iconicity | 第12页 |
| 2.1.2 Arbitrariness | 第12-13页 |
| 2.1.3 Chinese pastoral poetry | 第13-14页 |
| 2.2 Dialectical Relationship between Iconicity and Arbitrariness | 第14-15页 |
| 2,2.1 The philosophy foundation and dialectical relationship between arbitrariness andiconicity. | 第14-15页 |
| 2.2.2 Comparison of iconicity and arbitrariness | 第15页 |
| 2.3 Basis for the Existence of Iconicity of linguistics | 第15-16页 |
| 2.3.1 Isomorphic feature of analyzability of syntax and analyzability of thinking | 第15-16页 |
| 2.3.2 The nature of language-- iconicity | 第16页 |
| 2.4 Research Background both at Home and Abroad | 第16-18页 |
| Chapter 3 Theoretical Framework | 第18-23页 |
| 3.1 Definitions and Classification of Iconicity | 第18-20页 |
| 3.1.1 The definitions of iconicity | 第18-19页 |
| 3.1.2 The classifications of iconicity | 第19-20页 |
| 3.2 The Iconicity Principles of Poetry | 第20-21页 |
| 3.2.1 Iconicity of sound | 第20-21页 |
| 3.2.2 Iconicity of order | 第21页 |
| 3.2.3 Iconicity of quantity | 第21页 |
| 3.2.4 Iconicity of symmetry | 第21页 |
| 3.3 The Feasibility of Iconicity in Analysis of Pastral Poetry and its English Version | 第21-23页 |
| Chapter 4 Data Methodology | 第23-24页 |
| 4.1 The Source of Data Materials | 第23页 |
| 4.2 The Reasons and Rational of Data Selection | 第23页 |
| 4.3 Methodology | 第23-24页 |
| Chapter 5 Analysis and Discussion | 第24-40页 |
| 5.1 Theme of Meng Haoran's Poetry | 第24-26页 |
| 5.1.1 The theme of Enteignis in his poems | 第24-25页 |
| 5.1.2 The theme of Friendship in Longing for Xin the Elder | 第25-26页 |
| 5.2 An Iconic Approach to the Translation of Metrical Patterns of Meng Haoran's Poetry | 第26-33页 |
| 5.2.1 The iconic functions of rhythm of meter and meaning | 第26-28页 |
| 5.2.2 The syntactic pattern | 第28-30页 |
| 5.2.3 Tonic icons of Ping Ze | 第30-31页 |
| 5.2.4 Syllabic icons of sound effect | 第31-33页 |
| 5.3 An Iconic Approach to the Transformation of Imagery of Meng Haoran's Poetry | 第33-40页 |
| 5.3.1 Image of loneliness in the poem Longing for Xin the Elder | 第33-35页 |
| 5.3.2 Image of homesickness in the poem Mooring on the River at Jiande | 第35-37页 |
| 5.3.3 Image of rurality in the poem Visiting an Old Friend's Cottage | 第37-40页 |
| Chapter 6 Conclusion | 第40-43页 |
| 6.1 Conclusions | 第40-41页 |
| 6.2 Implications | 第41页 |
| 6.3 Limitations | 第41-42页 |
| 6.4 Suggestions for Future Research | 第42-43页 |
| References | 第43-46页 |
| Acknowledgements | 第46页 |
