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从接受美学看剧本翻译舞台性的再现--以尤金·奥尼尔的《月照不幸人》为例

摘要第4-5页
Abstract第5-6页
Chapter One Introduction第9-11页
Chapter Two Literature Review第11-20页
    2.1 Studies on Drama Translation at Abroad第11-13页
    2.2 Studies on Drama Translation at Home第13-17页
    2.3 Studies on Eugene O’Neil’s Plays and A Moon for the Misbegotten第17-20页
        2.3.1 Studies on Eugene O’Neil’s Plays第17-18页
        2.3.2 Studies on A Moon for the Misbegotten in China第18-20页
Chapter Three Reception Aesthetics第20-25页
    3.1 The Formation of Reception Aesthetics第20-21页
        3.1.1 The Influence of Hermeneutics第20-21页
        3.1.2 The Influence of Phenomenology第21页
    3.2 The Main Concepts of Reception Theory第21-25页
        3.2.1 Horizon of Expectation第21-22页
        3.2.2 Indeterminacy of the Text Meaning第22-25页
Chapter Four Representation of Performability in Drama Translation from thePerspective of Reception Aesthetics第25-38页
    4.1 Delimitation of Drama Translation第25-26页
    4.2 Application of Reception Theory in Drama Translation第26-31页
        4.2.1 Discussion from the Perspective of Author第27页
        4.2.2 Discussion from the Perspective of Text第27-28页
        4.2.3 Discussion from the Perspective of Reader第28-31页
    4.3 Features of Dramatic Text第31-34页
        4.3.1 Instantaneity第32页
        4.3.2 Popularization第32-33页
        4.3.3 Brevity第33页
        4.3.4 Individuality第33-34页
        4.3.5 Gestic Codes of Dramatic Language第34页
    4.4 Translation Strategies第34-38页
        4.4.1 Influential Translation Strategies第35-36页
        4.4.2 Influence of Aesthetic Distance on Translation Strategies第36-38页
Chapter Five A Case Study of A Moon for the Misbegotten第38-47页
    5.1 Representation of Author’s Style第38-40页
    5.2 Preservation of Inviting Structures第40-41页
    5.3 Representation of Performability第41-47页
        5.3.1 Representation of Speakability第41-44页
        5.3.2 Representation of Actability第44-45页
        5.3.3 Representation of Acceptability第45-47页
Chapter Six Conclusion第47-49页
References第49-53页
发表论文情况说明第53-54页
Acknowledgements第54-55页

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