| Acknowledgements | 第1-7页 |
| 摘要 | 第7-8页 |
| ABSTRACT | 第8-10页 |
| 1 Introduction | 第10-15页 |
| ·An Introduction to William Carlos Williams | 第10-11页 |
| ·Literature Review | 第11-13页 |
| ·Studies at home and abroad | 第11-12页 |
| ·Significance of the study | 第12-13页 |
| ·Research corpus and assumptions of theory application | 第13-15页 |
| 2 Imagism in Poetry | 第15-22页 |
| ·Image in Chinese and English poetry | 第15-16页 |
| ·Different artistic effects in Chinese and English poetry | 第16-17页 |
| ·Imagism in Williams's poetry | 第17-22页 |
| 3 Theory of Reception Aesthetics and application to comparative study | 第22-39页 |
| ·Beginning and development of Reception Aesthetics | 第22页 |
| ·Major concepts of Reception Aesthetics and comparative study | 第22-27页 |
| ·Indeterminacies and concretization of the text | 第23-25页 |
| ·Horizon of expectations and fusion of horizons in reading | 第25-27页 |
| ·Application to comparative study of Chinese translations | 第27-39页 |
| 4 Roles of readers and translators in Reception Aesthetics | 第39-44页 |
| ·Roles of readers in Reception Aesthetics | 第39页 |
| ·Roles of translators in Reception Aesthetics | 第39-44页 |
| 5 Conclusion | 第44-46页 |
| ·Findings | 第44-45页 |
| ·Limitations | 第45-46页 |
| Bibliography | 第46-49页 |
| 学位论文数据集 | 第49页 |
