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英国浪漫主义诗歌之多模态话语分析

ACKNOWLEDGEMENTS第5-6页
ABSTRACT第6-7页
摘要第8-13页
Chapter One INTRODUCTION第13-17页
    1.1 Research Background第13-14页
    1.2 Purpose and Significance of the Study第14-15页
    1.3 Research Questions and Methodology第15-16页
    1.4 Organization of the Thesis第16-17页
Chapter Two LITERATURE REVIEW第17-25页
    2.1 Overview of Multimodal Discourse Analysis第17-20页
        2.1.1 Studies of Multimodal Discourse Analysis Abroad第17-19页
        2.1.2 Studies of Multimodal Discourse Analysis at Home第19-20页
    2.2 Overview of the studies of English Romantic Poetry第20-25页
        2.2.1 Studies of English Romantic Poetry Abroad第20-22页
        2.2.2 Studies of English Romantic Poetry at Home第22-25页
Chapter Three THE ORETICAL FRAMEWORK第25-39页
    3.1 Cultural Level第30-31页
    3.2 Meaning Level第31-35页
        3.2.1 Experiential Meaning第31-32页
        3.2.2 Interpersonal Meaning第32-34页
        3.2.3 Textual Meaning第34-35页
    3.3 Modality Level第35-36页
        3.3.1 Modality Grammar第35页
        3.3.2 Modality Realization第35-36页
        3.3.3 Modality Interrelation第36页
    3.4 A Synthetic Theoretical Framework for Multimodal Discourse Analysis of English Poetry第36-39页
Chapter Four Multimodal Discourse Analysis of English Romantic Poetry第39-63页
    4.1 Analysis of the English Romantic Poetry from the Cultural Level: Analysis of Tintern Abbey第40-45页
    4.2 Analysis of the English Romantic Poetry from the Meaning Level第45-55页
        4.2.1 Experiential Meanings:Analysis of The Rime of the Ancient Mariner第45-47页
        4.2.2 Interpersonal Meanings: Analysis of Maid of Athens & We Are Seven第47-50页
        4.2.3 Textual Meaning: Analysis of SHE Dwelt among the Untrodden Ways第50-55页
    4.3 Analysis of the English Romantic Poetry from the Modality Level第55-58页
        4.3.1 Modality Grammar: Analysis of The Rime of the Ancient Mariner第55-56页
        4.3.2 Modality Realization: Analysis of Kubla Khan第56-58页
        4.3.3 Modality Interrelation: Analysis of Kubla Khan第58页
    4.4 A Synthetic Multimodal Discourse Analysis of Ode to the West Wind第58-63页
        4.4.1 Analysis of Ode to the West Wind from Culture Level第58-60页
        4.4.2 Analysis of Ode to the West Wind from Meaning Level第60-61页
        4.4.3 Analysis of Ode to the West Wind from Modality Level第61-63页
Chapter Five CONCLUSION第63-65页
    5.1 Major Findings第63-64页
    5.2 Limitations and Suggestions for Further Study第64-65页
REFERENCES第65-69页
PUBISHED PAPERS第69页

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