摘要 | 第1-7页 |
Abstract | 第7-12页 |
Introduction | 第12-15页 |
Chapter 1 A Review of Studies on Poetic Discourse Analysis | 第15-34页 |
·Studies of Coherence and cohesion | 第15-26页 |
·Definition of Coherence | 第18-20页 |
·Definition of Cohesion | 第20-23页 |
·Coherence in Classical Chinese Poetry | 第23-26页 |
·Analysis of the Classical Chinese Poetry | 第26-34页 |
·Traditional Approaches to Classical Chinese Poetry | 第28-29页 |
·Application of Cognitive Linguistic in Classical Poetry | 第29-34页 |
Chapter 2 Possibility of Mental Scanning Theory Applied to Chinese Classical Poetry Coherence | 第34-57页 |
·Objective Motion and Subjective Motion | 第35-39页 |
·Objective Motion Applied to Classical Poetry | 第35-36页 |
·Subjective Motion Applied to Classical Poetry | 第36-39页 |
·Mental Scanning as General Cognitive Ability | 第39-57页 |
·Definition of Mental Scanning | 第41-44页 |
·Sequential Scanning | 第44-49页 |
·Summary Scanning | 第49-53页 |
·Differences between Sequential Scanning and Summary Scanning | 第53-57页 |
Chapter 3 The Feasibility of Mental Scanning Applied to Classical Chinese Poetry Coherence | 第57-77页 |
·Necessity for Mental Scanning to Analyze Classical Poetry | 第58-63页 |
·Features of Mental Scanning | 第59-60页 |
·Features of Classical Chinese Poetic Language | 第60-63页 |
·Analysis of《枫桥夜泊》by Sequential Scanning | 第63-70页 |
·Analysis of the First Two Verses of the Poem | 第64-68页 |
·Analysis of the Last Two Verses of the Poem | 第68-70页 |
·The Analysis of《枫桥夜泊》by Summary Scanning | 第70-77页 |
·From the Perspective of Single Verse | 第70-74页 |
·From the Perspective of the Whole Poem | 第74-77页 |
Conclusion | 第77-79页 |
Bibliography | 第79-83页 |
Acknowledgements | 第83-84页 |
Appendix 攻读学位期间主要的研究成果目录 | 第84-85页 |
详细摘要 | 第85-93页 |