| ABSTRACT | 第1-5页 |
| 摘要 | 第5-7页 |
| Introduction | 第7-15页 |
| Chapter One Intertextuality in Author's Background | 第15-26页 |
| ·Personal Background | 第15-22页 |
| ·Family's Influence and Their Personality | 第15-18页 |
| ·Female Identity | 第18-22页 |
| ·Social Background | 第22-26页 |
| ·The Victorian Era:Bronte Fights against Conventions | 第22-24页 |
| ·The 21~(st) Century Modern Society:Meyer Stands among Uncertainties | 第24-26页 |
| Chapter Two Intertextuality in Writing Techniques | 第26-48页 |
| ·Intertextuality under Gothic Genre | 第26-33页 |
| ·Gothic Setting and Atmosphere of the Story | 第27-31页 |
| ·Gothic Elements in Characters and Their Behaviors | 第31-33页 |
| ·Intertextuality in Narrative Techniques | 第33-36页 |
| ·Intertextual Forms in Twilight Saga | 第36-42页 |
| ·Other Intertexts in Twilight Saga besides Wuthering Heights | 第36-38页 |
| ·Frequent Repitition of Characters' Names and Book's Title | 第38-39页 |
| ·Quotation and Dialogues from Wuthering Heights | 第39-42页 |
| ·Intertextuality in Images | 第42-48页 |
| ·Dream and Reality | 第43-45页 |
| ·Childbirth and Rebirth | 第45-46页 |
| ·Darkness and Blackness | 第46-48页 |
| Chapter Three Intertextuality in Themes | 第48-67页 |
| ·Love Triangle | 第48-53页 |
| ·Heathcliff-Catherine-Linton | 第49-50页 |
| ·Edward-Bella-Jacob | 第50-53页 |
| ·Death and Life:Heathcliff and Catherine vs.Edward and Bella | 第53-58页 |
| ·Physically Alive but Spiritually Dead | 第53-56页 |
| ·Physically Dead but Spiritually Alive | 第56-58页 |
| ·Nature | 第58-67页 |
| ·Nature's Charm | 第59-61页 |
| ·Nature's Personality | 第61-63页 |
| ·Nature's Inspiration | 第63-67页 |
| Conclusion | 第67-69页 |
| References | 第69-74页 |
| Acknowledgements | 第74-75页 |
| 在读期间发表的学术论文及研究成果 | 第75页 |
