| Abstract | 第1-6页 |
| 摘要 | 第6-9页 |
| Introduction | 第9-11页 |
| Chapter1 A Study on Translation from the Perspective of Reception Aesthetics | 第11-25页 |
| ·Heideggar’s and Gadamer’s Hermeneutics | 第11-13页 |
| ·Reception Aesthetics | 第13-17页 |
| ·Jauss’ Reception Aesthetics and Iser’s Reader-response Theories | 第14-16页 |
| ·Characteristics of Reception Aesthetics | 第16-17页 |
| ·Some Key Terms of Reception Aesthetics | 第17-22页 |
| ·Literary texts vs. Literature | 第17-18页 |
| ·Indeterminacy or Blank of Meaning | 第18-19页 |
| ·Horizon of Expectations | 第19-20页 |
| ·The Author’s Horizon, the Translator’s Horizon and the Reader’s Horizon | 第20-21页 |
| ·The Fusion of Horizons | 第21-22页 |
| ·Studies on the Process of Translation | 第22-25页 |
| ·Correlations between Reception Aesthetics and Translation Process | 第23-24页 |
| ·Translation: A Creative Treason | 第24-25页 |
| Chapter2 A Study on Readers | 第25-42页 |
| ·Categories of Readers | 第25-28页 |
| ·Translators’ Consideration for Target Readers | 第28-35页 |
| ·Translators’ Consideration for Target Readers in China | 第28-32页 |
| ·Translator’s Consideration for Target Readers in the History of Western Translation Study | 第32-35页 |
| ·The Main Reader’s Psychological Elements in the Aestheticization | 第35-42页 |
| ·Aesthetic Subjects in Translation | 第36-37页 |
| ·Translator | 第36-37页 |
| ·Common Reader | 第37页 |
| ·Reader’s Aesthetic Sensation and Perception | 第37-39页 |
| ·The Reader’s Aesthetic Feeling | 第39页 |
| ·The Reader’s Aesthetic Imagination | 第39-40页 |
| ·Translator’s Special Psychological Elements in the Aestheticization | 第40-42页 |
| Chapter3 Translation Strategies from the Angle of Translators’ Consideration for Readers | 第42-62页 |
| ·Compromising with Target Language Readers | 第42-51页 |
| ·Horizon of Expectations | 第42-43页 |
| ·The Ways of Translators’ Consideration for Target Readers | 第43-51页 |
| ·The Recipient Environment of China and Its Translation in the Late Qing Dynasty and May Fourth Period | 第43-46页 |
| ·The Changing of Translation Strategies in 21st Century in China | 第46-51页 |
| ·The Ways of Translators’ Consideration for Target Readers on Translation Creativity | 第51-62页 |
| ·The Relationship between Indeterminacy and Creative Treason | 第51页 |
| ·The Relationship between Indeterminacy and Aesthetic Creation | 第51-54页 |
| ·Gestalt and Aesthetic Objects | 第51-52页 |
| ·Representation of Indeterminacy in Translation at Aesthetic Level | 第52-54页 |
| ·The Ways of Translators’ Consideration for Target Readers on Aesthetic Creation | 第54-62页 |
| ·The Differences between Chinese and English Thought Patterns | 第54页 |
| ·The Distinctive Features of Chinese and English | 第54-55页 |
| ·The Aesthetic Creation in English and Chinese | 第55-62页 |
| Conclusion | 第62-64页 |
| Bibliography | 第64-66页 |
| Acknowledgements | 第66页 |
