| 摘要 | 第1-7页 |
| Abstract | 第7-9页 |
| Chapter One Introduction | 第9-16页 |
| ·Research Background | 第9-12页 |
| ·Research Purpose and Significance | 第12-14页 |
| ·Layout of the Thesis | 第14-16页 |
| Chapter Two Literature Review | 第16-30页 |
| ·Experimental Poetry Revisited | 第16-23页 |
| ·An Introduction to Experimental Poetry | 第16-20页 |
| ·The Development of Experimental Poetry | 第20-23页 |
| ·Previous Studies at Home and Abroad | 第23-30页 |
| ·Experimental Poetry Study Abroad | 第23-26页 |
| ·Experimental Poetry Study at Home | 第26-30页 |
| Chapter Three Theoretical Framework | 第30-48页 |
| ·Paralinguistic Symbols | 第30-38页 |
| ·Definition of Paralinguistic Symbols | 第30-34页 |
| ·Written Paralinguistic Symbols | 第34-36页 |
| ·Paralinguistic Symbols as Style-Forming Elements | 第36-38页 |
| ·Theory of Formulating Style | 第38-48页 |
| ·Choice Achieved by Linguistic Symbols and Paralinguistic Symbols | 第40-42页 |
| ·Deviation Achieved by Linguistic Symbols and Paralinguistic Symbols | 第42-44页 |
| ·Foregrounding Achieved by Linguistic Symbols and ParalinguisticSymbols | 第44-48页 |
| Chapter Four Analysis of the Paralinguistic Symbols as Style-Forming Elements | 第48-80页 |
| ·The Style Forming Element: Capitalization and Decapitalization | 第48-54页 |
| ·Capitalization and Decapitalization in e.e. cumings’s moon Over towns moon | 第49-52页 |
| ·Capitalization and Decapitalization in William Carlos Williams’s This IsJust to Say | 第52-54页 |
| ·The Style Forming Element: Blank Space | 第54-59页 |
| ·Blank Space in e.e. cumings’s Silence | 第55-57页 |
| ·Blank Space in William Carlos Williams’s Red Wheelbarrow | 第57-59页 |
| ·The Style Forming Element: Sentence Segmentation | 第59-63页 |
| ·Sentence Segmentation in Roger Mc Gough’s 40- Love | 第59-61页 |
| ·Sentence Segmentation in e.e.cummings’s insu nli ght | 第61-63页 |
| ·The Style Forming Element: Dash | 第63-67页 |
| ·Dash in Emily Dickinson’s Poetry 38 | 第63-65页 |
| ·Dash in Emily Dickinson’s Poetry 764 | 第65-67页 |
| ·The Style Forming Element: Parentheses | 第67-71页 |
| ·Parentheses in e.e cummings’ s l(a | 第67-69页 |
| ·Parentheses in e.e.cummings’s Bird | 第69-71页 |
| ·The Style Forming Element: Unconventional Reading Mode | 第71-75页 |
| ·Unconventional Reading Mode in Emmett Williams’s She Loves MeNot | 第71-73页 |
| ·Unconventional Reading Mode in e.e.cummings’s Poetry 392 | 第73-75页 |
| ·The Style Forming Element: Pattern of Poems | 第75-80页 |
| ·Pattern of Poems in William Shelly Burford’s A Christmas Tree | 第76-77页 |
| ·Pattern of Poems in William Carlos Williams’s The Locust Tree inFlower | 第77-80页 |
| Chapter Five Conclusion | 第80-83页 |
| ·Major Findings of the Study | 第80-82页 |
| ·Limitations and Prospects of the Study | 第82-83页 |
| Notes | 第83-85页 |
| Bibliography | 第85-89页 |
| 攻读硕士期间所发表的学术论文 | 第89-91页 |
| Acknowledgement | 第91页 |
