| 摘要 | 第6-7页 |
| abstract | 第7-8页 |
| CHAPTER ONE INTRODUCTION | 第11-16页 |
| 1.1 Research Background | 第11-12页 |
| 1.2 Purpose and Significance of the Present Study | 第12-13页 |
| 1.3 Research Questions | 第13页 |
| 1.4 Research Method | 第13-14页 |
| 1.5 Organization of the Thesis | 第14-16页 |
| CHAPTER TWO LITERATURE REVIEW | 第16-23页 |
| 2.1 A Brief Introduction to the Film The Chronicles of Narnia:The Lion, the Witch and the Wardrobe | 第16-17页 |
| 2.2 Previous Studies on the Film The Chronicles of Narnia:The Lion, the Witch and the Wardrobe | 第17-18页 |
| 2.3 Overview of Multimodal Discourse Analysis (MDA) | 第18-23页 |
| 2.3.1 Definition of Multimodality | 第18-20页 |
| 2.3.2 Definition of Multimodal Discourse Analysis | 第20页 |
| 2.3.3 Overseas and Domestic Studies on Multimodal Discourse analysis | 第20-23页 |
| CHAPTER THREE THEORETICAL FRAMEWORK | 第23-32页 |
| 3.1 Halliday's Systemic Functional Grammar | 第23-24页 |
| 3.2 Kress and Van Leeuwen's Visual Grammar | 第24-31页 |
| 3.2.1 Representational Meaning | 第26-28页 |
| 3.2.2 Interactive Meaning | 第28-30页 |
| 3.2.3 Compositional Meaning | 第30-31页 |
| 3.3 Summary | 第31-32页 |
| CHAPTER FOUR A CASE STUDY OF THE CHRONCLES OF NARNIA:THE LION, THE WITCH AND THE WARDROBW WITH THE PROPOSEDFRAMEWORK | 第32-49页 |
| 4.1 Representational Meaning | 第32-37页 |
| 4.1.1 The Representation of Narrative Process | 第32-35页 |
| 4.1.2 The Representation of Conceptual Process | 第35-37页 |
| 4.2 Interactive Meaning | 第37-46页 |
| 4.2.1 Contact | 第37-39页 |
| 4.2.2 Social Distance | 第39-40页 |
| 4.2.3 Perspective | 第40-42页 |
| 4.2.4 Modality | 第42-46页 |
| 4.3 Compositional Meaning | 第46-48页 |
| 4.3.1 Information Value | 第46-47页 |
| 4.3.2 Salience | 第47-48页 |
| 4.3.3 Framing | 第48页 |
| 4.4 Summary | 第48-49页 |
| CHAPTER FIVE A SYNTHESIS OF MILTIMODALITIES IN THE FILM THECHRONICLES OF NARNIA:THE LION,THE WITCH AND THEWARDROBE | 第49-56页 |
| 5.1 Modalities in the Film | 第49-51页 |
| 5.2 The Integration of Different Modalities in the Film The Chronicles of Narnia: The Lion,the Witch and the Wardrobe | 第51-53页 |
| 5.3 Synthetic Analysis on Different Modalities in the Film The Chronicles of Narnia:The Lion,the Witch and the Wardrobe | 第53-56页 |
| CHAPTER SIX CONCLUSION | 第56-58页 |
| 6.1 Findings and Contributions of the Present Study | 第56页 |
| 6.2 Limitations and Suggestions of the Present Study | 第56-58页 |
| BIBLIOGRAPHY | 第58-61页 |
| APPENDICES | 第61-64页 |
| ACKNOWLEDGEMENTS | 第64-65页 |
| PAPER(S)PUBLISHED DURING MA STUDIES | 第65页 |
