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从活页小说到超文本小说--罗伯特·库佛的《刺玫瑰》的案例分析

Acknowledgements第2-3页
Abstract in Chinese第3-4页
Abstract in English第4-5页
Introduction第8-13页
    0.1 Robert Coover -- An Usher in a New Era第8-9页
    0.2 Briar Rose and the Home Page of Briar Rose第9-10页
    0.3 The Research Topic and the Structure of the Thesis第10-13页
Chapter 1 Some Basic Ideas about Postmodernist Fiction第13-19页
    1.1 What is Postmodernist Fiction?第13-15页
    1.2 Some Features of Postmodernist Fiction第15-19页
Chapter 2 Work·Text·Hypertext第19-33页
    2.1 From Work to Text第22-28页
        2.1.1 The Work and the Establishment of the Notion of Work第22-24页
        2.1.2 The Text and Classification of Texts第24-25页
        2.1.3 Comparison between the Work and the Text第25-28页
    2.2 From Text to Hypertext第28-33页
        2.2.1 The Hypertext and Its Classification第28-30页
        2.2.2 Some Features of Hypertext第30-33页
Chapter 3 Briar Rose as a Loose-Leaf Fiction第33-52页
    3.1 Briar Rose and the Loose-Leaf Fiction第33-37页
        3.1.1 Loose-Leaf Fiction第33-35页
        3.1.2 General Introduction to the Features of Loose-Leaf Fiction Displayed in Briar Rose第35-37页
    3.2 Narrative Techniques of Briar Rose第37-52页
        3.2.1 Parody第37-40页
        3.2.2 Multiple Levels of Reality第40-46页
            3.2.2.1 Myriad Points of View第41-44页
            3.2.2.2 A Bifurcating Plot第44-46页
        3.2.3 Indeterminacy第46-48页
        3.2.4 Metafictional Elements第48-52页
Chapter 4 Briar Rose as a Hypertext Fiction第52-66页
    4.1 Hypertext Fiction第52-59页
        4.1.1 Electronic Literature第52-59页
            4.1.2.H ypertext Fiction第54-55页
            4.1.2.1 Intertextuality第55-56页
            4.1.2.2 Nonlinearity and Multilinearity第56-57页
            4.1.2.3 Interactivity第57页
            4.1.2.4.Inddeterminacy:"Gliding" Signifier and Signified第57-59页
    4.2 Briar Rose as a Hypertext Fiction第59-66页
        4.2.1 The Experiment of Briar Rose Home Page第59-60页
        4.2.2 Some Features of Briar Rose as a Hypertext Fiction第60-66页
            4.2.2.1 Multilinearity第61-62页
            4.2.2.2 Intertextuality第62-63页
            4.2.2.3 Indeterminacy第63-65页
            4.2.2.4 Interactivity第65-66页
Chapter 5 Conclusion: The End of Books?第66-70页
Works Cited第70-72页

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