| Acknowledgements | 第1-5页 |
| Chinese Synopsis | 第5-9页 |
| Introduction | 第9-14页 |
| Chapter One Nabokov as a conscious artist | 第14-25页 |
| 1．1 Nabokov as a conscious writer | 第14-20页 |
| 1．1．1 The unique mimesis theory | 第14-16页 |
| 1．1．2 The unique view on art | 第16-20页 |
| 1．2 Nabokov as a conscious reader | 第20-25页 |
| 1．2．1 The focus on textual details | 第21-22页 |
| 1．2．2 The focus on both artistic passion and scientific patience | 第22-25页 |
| Chapter Two Humbert as an immoral character | 第25-43页 |
| 2．1 The source of Humbert-the-character | 第25-29页 |
| 2．1．1 Humbert-the-charater as an immoral image | 第25-27页 |
| 2．1．2 The character prototype of Humbert-the-character | 第27-29页 |
| 2．2 Humbert-the-character: a vain sexual hedonist | 第29-43页 |
| 2．2．1 Humbert and the disguised art | 第29-34页 |
| 2．2．2 Humbert and the lack of ”pity” | 第34-36页 |
| 2．2．3 Humbert and the distortion of reality | 第36-38页 |
| 2．2．4 Humbert and the destruction of his fate | 第38-43页 |
| Chapter Three Humbert as an amoral narrator | 第43-59页 |
| 3．1 Humbert as an unreliable narrator | 第43-49页 |
| 3．2 Humbert as a hedonist in artistic solipsism | 第49-59页 |
| 3．2．1 Humbert's solipsizing Lolita | 第50-52页 |
| 3．2．2 Humbert's solipsizing Humbert-the-character | 第52-55页 |
| 3．2．3 Humbert's solipsizing the reader | 第55-59页 |
| Chapter Four Nabokov's manipulation of Lolita | 第59-65页 |
| 4．1 Forword as a manipulator | 第59-62页 |
| 4．2 Afterword as a manipulator | 第62-65页 |
| Conclusion | 第65-67页 |
| Endnotes | 第67-69页 |
| Bibliography | 第69-71页 |
