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再现澳大利亚的殖民过去:凯特·格伦维尔殖民三部曲的杂糅解读

Acknowledgments第4-5页
Abstract第5-6页
摘要第7-10页
Chapter One Introduction第10-22页
    1.1 A General Introduction to Kate Grenville and Her Works第10-14页
    1.2 Literature Review第14-18页
    1.3 Research Methodology and Central Argument第18-20页
        1.3.1 Post-Colonial Criticism第18-20页
        1.3.2 Central Argument第20页
    1.4 Layout of the Thesis第20-22页
Chapter Two "The Third Space" in Kate Grenville's Trilogy第22-28页
    2.1 The Third Space第22-24页
    2.2 Places in Kate Grenville's Trilogy as "The Third Space"第24-28页
        2.2.1 The Observatory Hut in The Lieutenant第25-26页
        2.2.2 The Hawkesbury River in The Secret Rive and Sarah Thornhill第26-28页
Chapter Three Hybrid Subjectivity in Kate Grenville's Trilogy第28-41页
    3.1 The White Settlers' Subjectivity Shift Between Center and Margin第29-35页
        3.1.1 The First Generation's Hybrid Subjectivity第29-31页
        3.1.2 The Second Generation's Hybrid Subjectivity第31-33页
        3.1.3 The Third Generation's Hybrid Subjectivity第33-35页
    3.2 The Aboriginals' Subjectivity Shift Between Center and Margin第35-41页
        3.2.1 Jack Langland's Hybrid Subjectivity第38-39页
        3.2.2 Rachel Thornhill's Hybrid Subjectivity第39-41页
Chapter Four Other Forms of Hybridity in Kate Grenville's Trilogy第41-47页
    4.1 Cultural Hybridity in Kate Grenville's Trilogy第41-44页
        4.1.1 Hybrid Culture of Australian Aborigines第41-42页
        4.1.2 Hybrid Culture of White Settlers第42-44页
    4.2 Language Hybridity in Kate Grenville's The Lieutenant第44-47页
Chapter Five Conclusion第47-49页
Works Cited第49-52页
Publications第52页

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