| Acknowledgment | 第1-7页 |
| Abstract | 第7-8页 |
| 摘要 | 第8-9页 |
| 前言 | 第9-23页 |
| 1.引言:国际陌生化理论思潮的兴起 | 第9-10页 |
| 2.陌生化理论的科学依据 | 第10-12页 |
| 3.陌生化效应在现代英美戏剧语言中的镜象折射 | 第12-16页 |
| 4.戏剧表演手法与戏剧效果的陌生化 | 第16-22页 |
| 5.结束语 | 第22-23页 |
| Chapter One A Brief Survey of Defamiliarization Studies | 第23-27页 |
| ·Automatization or habituation | 第23-24页 |
| ·The definition of defamiliarization | 第24-25页 |
| ·A brief survey of literary comments upon defamiliarization | 第25-27页 |
| Chapter Two Theoretical Foundation of Defamiliarization | 第27-34页 |
| ·Semiotic basis of defamiliarization | 第27-30页 |
| ·Saussure' theory about dynamic semiotics | 第27-28页 |
| ·Sebeok's theory about dynamic semiotics | 第28页 |
| ·Jacobson's framework | 第28-30页 |
| ·Psychological and cognitive basis of defamiliarization | 第30-31页 |
| ·Cognitive basis of defamiliarization | 第30页 |
| ·Psychological basis of defamiliarization | 第30-31页 |
| ·The biological basis of defamiliarization | 第31-34页 |
| ·The theory of the brain structure | 第31页 |
| ·The Memetic theory | 第31-34页 |
| Chapter Three Defamiliarization Effects as Seen from Modern British and American Drama | 第34-46页 |
| ·An introduction in general | 第34-35页 |
| ·Defamiliarization as seen from rhetorical devices | 第35-37页 |
| ·Defamiliarization as seen from special language techniques | 第37-46页 |
| ·Loan words | 第37-38页 |
| ·Informal language | 第38-39页 |
| ·Overlapping technique employed in conversation | 第39-43页 |
| ·Pinteresque language | 第43-46页 |
| Chapter Four The Defamiliarization Effect Produced through Stage Performance and Dramatic Structure | 第46-69页 |
| ·Defamiliarization effect produced by dramatic structure | 第46-50页 |
| ·Length structure | 第46-47页 |
| ·Time and space reversion | 第47-50页 |
| ·Defamiliarization effect produced by special dramatic techniques | 第50-56页 |
| ·The doubling of cast in Top Girls | 第51-52页 |
| ·Gender absence | 第52-53页 |
| ·The technique of "parody" | 第53-55页 |
| ·Application of interdisciplinary theories | 第55-56页 |
| ·Defamiliarization effect produced by plot arrangements | 第56-62页 |
| ·Suspense | 第56-60页 |
| ·Role reversal | 第60-62页 |
| ·Defamiliarization effect produced by stage decorations | 第62-69页 |
| ·The use of motif | 第62-66页 |
| ·The use of setting | 第66-69页 |
| Chapter 5 Conclusion | 第69-70页 |
| Bibliography | 第70-73页 |
