| 摘要 | 第5-7页 |
| ABSTRACT | 第7-8页 |
| Introduction | 第10-19页 |
| Chapter One Close Intertextual Connection with Chinese Culture in The WomanWarrior | 第19-23页 |
| 1.1 The Rewriting of Literary Works from China | 第19-21页 |
| 1.2 Intertextuality between The Woman Warrior and Chinese Cultural Elements | 第21-23页 |
| Chapter Two Less Intertextual Connection with Chinese Culture in Salt Fish Girl | 第23-30页 |
| 2.1 The Intertextuality between Stories of Nü Wa and Miranda | 第23-25页 |
| 2.2 The Traditional Chinese Elements in the Novel | 第25-27页 |
| 2.3 The Future High Technologic and Imaginary Elements in the Novel | 第27-30页 |
| Chapter Three Rare Intertextual Connection with Chinese Culture in Madeleine isSleeping | 第30-36页 |
| 3.1 Intertextuality with Madeline and the Gypsies and Sleeping Beauty | 第30-31页 |
| 3.2 The Intertextuality between Madeleine’s Dream and Reality | 第31-34页 |
| 3.3 Other Intertextualities in the Novel | 第34-36页 |
| Chapter Four The Inner Connection and Contribution of These Three Novels | 第36-42页 |
| 4.1 Inner Connection of Three Novels | 第36-37页 |
| 4.2 Contributions of the Three Novels through Intertextuality | 第37-42页 |
| 4.2.1 Criticism toward Gender and Racial Discriminations in The WomanWarrior | 第37-39页 |
| 4.2.2 Rebellion against Industrialization in Salt Fish Girl | 第39-40页 |
| 4.2.3 Subversion of Happy Endings in Madeleine is Sleeping | 第40-42页 |
| Conclusion | 第42-44页 |
| Acknowledgements | 第44-46页 |
| References | 第46-49页 |
| Research Results Obtained During the Study for Master Degree | 第49-50页 |
