| ACKNOWLEDGEMENTS | 第7-8页 |
| ABSTRACT | 第8页 |
| 摘要 | 第9-12页 |
| CHAPTER I INTRODUCTION | 第12-17页 |
| 1.1 Nabokov and His Literary Creation | 第12-14页 |
| 1.2 Eliot and His Literary Creation | 第14-17页 |
| CHAPTER II LITERATURE REVIEW | 第17-25页 |
| 2.1 Research on Nabokov | 第17-20页 |
| 2.2 Research on Eliot | 第20-25页 |
| CHAPTER III THEORETICAL FRAMEWORK | 第25-36页 |
| 3.1 Russian Formalism | 第26-31页 |
| 3.1.1 A Brief Introduction to Russian Formalism | 第26-28页 |
| 3.1.2 Nabokov’s Links with Russian Formalism | 第28-31页 |
| 3.2 The New Criticism | 第31-36页 |
| 3.2.1 A Brief Introduction to New Criticism | 第31-32页 |
| 3.2.2 Eliot’s Links with New Criticism | 第32-34页 |
| 3.2.3 The Tension Theory | 第34-36页 |
| CHAPTER IV ANALYSIS OF TENSION IN NABOKOV’S WORKS | 第36-48页 |
| 4.1 Russian Formalistic Devices in Nabokov’s Short Stories | 第36-42页 |
| 4.1.1 An Unfamiliar World | 第36-39页 |
| 4.1.2 A Complicated Design | 第39-42页 |
| 4.2 Nabokov: Abrupt Change | 第42-46页 |
| 4.2.1 Nabokov’s Emphasis on History | 第42-43页 |
| 4.2.2 The Constant Reappearance of Past | 第43-46页 |
| 4.3 Tension in Nabokov’s Theories and Practices | 第46-48页 |
| CHAPTER V ANALYSIS OF TENSION IN ELIOT’S WORKS | 第48-59页 |
| 5.1 A Close Reading of Eliot’s The Love Song of J. Alfred Prufrock | 第48-52页 |
| 5.1.1 An Investigation of its Solid Structure | 第48-51页 |
| 5.1.2 Objective Poem without the Poet’s Personal Emotions | 第51-52页 |
| 5.2 Emulation and Deviation | 第52-57页 |
| 5.2.1 Eliot’s Traditional Views | 第53-55页 |
| 5.2.2 Historical Allusions in The Love Song of J. Alfred Prufrock | 第55-57页 |
| 5.3 Tension in Eliot’s Theories and Practices | 第57-59页 |
| CHAPTER VI CONCLUSION | 第59-61页 |
| WORKS CITED | 第61-65页 |
