| 内容摘要 | 第1-7页 |
| Abstract | 第7-12页 |
| Chapter 1 Introduction | 第12-18页 |
| ·The Background of this Research | 第12-13页 |
| ·Rationale and Significance of the Study | 第13-14页 |
| ·Research Questions | 第14-15页 |
| ·Methodology and Principle in Selection | 第15页 |
| ·Methodology | 第15页 |
| ·Principle in Selection | 第15页 |
| ·The Structure of this Dissertation | 第15-18页 |
| Chapter 2 Literature Review | 第18-26页 |
| ·The Chinese Translation of Ulysses | 第18-22页 |
| ·A Brief Introduction to Ulysses' Plot and Main Characters and its Chinese Versions | 第18-19页 |
| ·Literature Review of the Studies in the Chinese Translation of Ulysses | 第19-22页 |
| ·The Limitations of Current Studies and the Issue that This Research Concerns | 第22页 |
| ·Ulysses and the Linguistic/Stylistic Way of Reading | 第22-26页 |
| Chapter 3 Theoretical Foundation | 第26-35页 |
| ·Understanding Basic Concepts | 第26-32页 |
| ·Style and Stylistics | 第26-28页 |
| ·Foregrounding and Other Related Concepts | 第28-32页 |
| ·Stylistics and the Translation of Fiction | 第32-33页 |
| ·Three Steps of Analysis in This Research | 第33-35页 |
| Chapter 4 Restructuring Foregrounded Syntactic Features in the Chinese Translation | 第35-65页 |
| ·Introduction | 第35-39页 |
| ·General View on Joycean Syntax | 第35-37页 |
| ·The Concrete Objects of this Research | 第37-39页 |
| ·The Analytical Tools Borrowed from Linguistics | 第39页 |
| ·Unusual Subjects - Using Part of Body or Inanimate Thing (Laughter, Gaze etc.) as the Actor/agent | 第39-53页 |
| ·Unusual Subject Pattern and the Transference of the Underlying Authorial Narrator's Attitude towards the Characters | 第41-48页 |
| ·Suggesting Involuntariness of the Character & Implying the Hidden Authorial Attitude - Showing Sympathy | 第41-45页 |
| ·Suggesting Untrustworthiness of the Character and Implying the Authorial Attitude - Dislike or Contempt | 第45-48页 |
| ·Unusual Subject Pattern and the Imitation of Automatic/Unconscious Movement | 第48-49页 |
| ·Unusual Subject Pattern and the Transference of Character Point of View | 第49-53页 |
| ·The Third Person Interior Focalization | 第49-51页 |
| ·The Third Person Exterior Focalization | 第51-53页 |
| ·Unusual Word Order | 第53-65页 |
| ·Pre-posed Adjuncts (S-V-A-0 Structure) | 第53-57页 |
| ·Highlighting the Object - Serves to Keep the Object at 'End-focus' Position in Order to Promote the Flowing of Stream-of-consciousness | 第54-55页 |
| ·Highlighting the Adjunct - to Draw Attention to the State/Manner of Actions | 第55-57页 |
| ·Thematization/Marked Themes -Imitation of the Reflector's Thought Process | 第57-65页 |
| ·Marked Theme in General Sense | 第57-58页 |
| ·Marked Theme in Ulysses | 第58-65页 |
| Chapter 5 Conclusion | 第65-70页 |
| ·Summary | 第65-67页 |
| ·Limitations and Suggestions for Future Research | 第67-70页 |
| Bibliography | 第70-73页 |
