| 摘要 | 第5-7页 |
| Abstract | 第7-9页 |
| Chapter One Introduction | 第14-17页 |
| 1.1 Background and Significance of the Research | 第14-15页 |
| 1.2 Research Questions | 第15页 |
| 1.3 Research Method | 第15-16页 |
| 1.4 Organization of the Thesis | 第16-17页 |
| Chapter Two Literature Review | 第17-23页 |
| 2.1 Previous Studies on Conversation Analysis | 第17-18页 |
| 2.2 Previous Studies on Turn-taking Analysis | 第18-21页 |
| 2.3 Previous Studies on Wolf Hall | 第21-23页 |
| Chapter Three Theoretical Framework of the Research | 第23-31页 |
| 3.1 Turn-taking System | 第23-25页 |
| 3.2 Frameworks of Turn-taking in Drama | 第25-27页 |
| 3.3 Framework Adopted in the Thesis | 第27-31页 |
| Chapter Four Data Analysis and Discussion of Miniseries Wolf Hall | 第31-74页 |
| 4.1 Introduction to Miniseries Wolf Hall | 第31-33页 |
| 4.2 The Analysis of Conversations in Wolf Hall from the Perspective ofTurn-taking | 第33-72页 |
| 4.2.1 Analysis of the Conversations between Thomas Cromwell and Wolsey, HisMaster | 第33-43页 |
| 4.2.2 Analysis of the Conversations between Thomas Cromwell and Lady Anne, HisAlly | 第43-55页 |
| 4.2.3 Analysis of the Conversations between Thomas Cromwell and Henry, the King42 | 第55-63页 |
| 4.2.4 Analysis of the Conversations between Thomas Cromwell and His FamilyMembers | 第63-69页 |
| 4.2.5 Analysis of the Conversations between Thomas Cromwell and Thomas More, His Idol | 第69-72页 |
| 4.3 Summary | 第72-74页 |
| Chapter Five Conclusion | 第74-76页 |
| 5.1 Major Findings | 第74页 |
| 5.2 Limitations and Suggestions | 第74-76页 |
| Works Cited | 第76-80页 |
| Acknowledgements | 第80-81页 |
| 个人简介 | 第81页 |
