| ABSTRACT | 第1-7页 |
| 摘要 | 第7-10页 |
| INTRODUCTION | 第10-15页 |
| 1 Ezra Pound | 第10-11页 |
| 2 Ernest Fenollosa and His Notes | 第11-12页 |
| 3 Cathay | 第12-13页 |
| 4 The Scholarship on Cathay and the Thesis | 第13-15页 |
| CHAPTER ONE JEWEL | 第15-21页 |
| 1 The Preserved Images of Moon and Woman | 第15-17页 |
| 2 The Adapted Structure: Anaphora in Pound’s Poems | 第17-20页 |
| 3 Enhanced Emotion by the Application of Anaphora | 第20-21页 |
| CHAPTER TWO LEAVE | 第21-33页 |
| 1 Transformational Parallel Structure and Its Philosophical thinking | 第21-28页 |
| 2 The Overturned Tragedy from Chinese as the Theme | 第28-31页 |
| 3 Different Treatment of Allusion | 第31-33页 |
| CHAPTER THREEMYTHOLOHY IN SOUTH | 第33-43页 |
| 1 Enhancement: The Archetype Images Selected by Pound | 第33-38页 |
| 2 Different tactic: Mythology as the theme in this poem | 第38-41页 |
| 3 Altered Ending: Pound’s Quest for Destiny | 第41-43页 |
| CONCLUSION | 第43-46页 |
| WORKS CITED | 第46-48页 |
| 中文参考文献 | 第48-50页 |
| ACKNOWLEDGEMENTS | 第50-51页 |
| APPENDIX | 第51-53页 |
