| ABSTRACT | 第1-8页 |
| 摘要 | 第8-11页 |
| INTRODCTION | 第11-21页 |
| ·The Object and Significance of Thesis | 第12-13页 |
| ·Literature Review | 第13-17页 |
| ·Relevant Research Abroad | 第13-15页 |
| ·Relevant Research at Home | 第15-17页 |
| ·Against William Empson’s Seven Types of Ambiguity | 第17-21页 |
| ·Its Limitations and Inspirations | 第17-19页 |
| ·Forms of Ambiguity as Related to this Study | 第19-21页 |
| ·Pun as Ambiguity | 第19页 |
| ·Irony as Ambiguity | 第19-21页 |
| CHAPTER ONE HARDY’S GRIEF WITH RESENTMENT IN “POEMS OF 1912-1913” | 第21-32页 |
| ·Anger and Mourning: The Ambiguity of Morning Scene in “The Going” | 第21-27页 |
| ·Aggressiveness or Ironical Test of Sincerity: The Ambiguity of Emma’s Voice in “Your Last Drive” | 第27-32页 |
| CHAPTER TWO HARDY’S SELF-REMORSE AND REUNION IN “POEMS OF 1912-1913” | 第32-43页 |
| ·The Self-irony of Guilt in “I Found her Out There” and “St Launce’s Revisited” | 第32-37页 |
| ·The Mute Ghost Image: To be Reunited with Emma in “After a Journey” | 第37-43页 |
| CHAPTER THREE HARDY’S PURE LOVE AND BELIEF OF IMMORTILITY WITH EMMA IN “POEMS OF 1912-1913” | 第43-52页 |
| ·The Landscape of Memory and Romance in “Beeny Cliff” and “At Castle Boterel” | 第43-46页 |
| ·The Belief of Immorality with Emma in “Rain on a Grave” and “Where the Picnic Was” | 第46-52页 |
| CONCLUSION | 第52-53页 |
| WORKS CITED | 第53-56页 |
| ACKNOWLEDGEMENTS | 第56-57页 |
| PUBLICATIONS | 第57页 |
