| 0 Introduction | 第1-9页 |
| Ⅰ Comparative Study of Lu Xun's and Sherwood Anderson's Modernity | 第9-19页 |
| ·The Outline of Modernism and Modern Western Philosophy | 第9-11页 |
| ·The Modernity of Lu Xun | 第11-15页 |
| ·Lu Xun & Individualism and Panthelism and Will to Power | 第12-13页 |
| ·Lu Xun and Modern Psychology and Freudianism | 第13-14页 |
| ·Lu Xun & Darwinism and Evolutionism | 第14页 |
| ·Lu Xun and Other Bourgeois and Modernist Thoughts | 第14-15页 |
| ·The Modernity of Sherwood Anderson | 第15-19页 |
| ·Sherwood Anderson's pondering of the Social and Philosophical Problems And Fulfilling of the Literary Thinking | 第16-18页 |
| ·Sherwood Anderson's Influence upon His Following Generations | 第18-19页 |
| Ⅱ The Thematological Study of Their Works | 第19-33页 |
| ·Similar Motifs and Themes | 第19-22页 |
| ·Provincial Concept and Theme | 第19-20页 |
| ·Modernist Theme | 第20-21页 |
| ·Sense of Crisis and Tragedy | 第21-22页 |
| ·Characters Embodying the Modernist Themes | 第22-33页 |
| ·Grotesques in Lu Xun's Works | 第22-25页 |
| ·Characters under Sherwood Anderson's pen | 第25-28页 |
| ·Female Images | 第28-33页 |
| Ⅲ The Writing Features and Techniques | 第33-47页 |
| ·The Technique of Symbolism | 第33-36页 |
| ·Lu Xun and His Technique of Symbolism | 第33-34页 |
| ·Sherwood Anderson and His Technique of Symbolism | 第34-36页 |
| ·The Technique of Grotesqueness and Expressionism | 第36-38页 |
| ·The Technique of Stream of Consciousness | 第38-41页 |
| ·Lu Xun and His Technique of Stream of Consciousness | 第38-39页 |
| ·Sherwood Anderson and His Technique of Stream of consciousness | 第39-41页 |
| ·The Technique of Psychoanalysis | 第41-42页 |
| ·The First Person Narration | 第42-45页 |
| ·The Language Style--the Colloquial Style, Prose Style, Humor and Satire | 第45-47页 |
| Ⅳ Conclusion | 第47-49页 |
| Bibliography | 第49-51页 |
| Acknowledgement | 第51页 |
