| Acknowledgements | 第5-6页 |
| 摘要 | 第6-8页 |
| Abstract | 第8-9页 |
| Chapter One Introduction | 第12-19页 |
| 1.1 Research Background | 第13-16页 |
| 1.1.1 Definition and Cultural Attribute of Pop Songs | 第13-14页 |
| 1.1.2 Novelty in the Study of Code-switching in Chinese Pop Songs | 第14-16页 |
| 1.2 Research Significance and Purpose | 第16-18页 |
| 1.3 Organization of the Thesis | 第18-19页 |
| Chapter Two Literature Review | 第19-30页 |
| 2.1 Code-switching and Studies in This Field | 第19-21页 |
| 2.1.1 Code-switching as a Theory | 第19页 |
| 2.1.2 Studies of Code-switching in Chinese Pop Songs | 第19-20页 |
| 2.1.3 Studies of Code-switching in Pop Songs from Other Countries | 第20-21页 |
| 2.1.4 Summary | 第21页 |
| 2.2 Theoretical Framework | 第21-30页 |
| 2.2.1 Defamiliarization | 第21-22页 |
| 2.2.2 Cross Cultural Competence | 第22-23页 |
| 2.2.3 Code Switching and the Matrix Language-Frame Model | 第23-25页 |
| 2.2.4 Switch Types by Poplack | 第25-26页 |
| 2.2.5 Communication Accommodation Theory | 第26-28页 |
| 2.2.6 Summary | 第28-30页 |
| Chapter Three Methodlogy | 第30-34页 |
| 3.1 Research Questions | 第30页 |
| 3.2 Data Resources | 第30-31页 |
| 3.3 Materials and Procedures | 第31页 |
| 3.4 Data Analysis | 第31-34页 |
| Chapter Four Results and Discussions | 第34-62页 |
| 4.1 Comparison of Structures of Code Switching as ML+EL Constituents | 第34-42页 |
| 4.1.1 Overall Description of Code Switching from the Total 300 Songs | 第34-35页 |
| 4.1.2 Comparison of Code Switching of Pop Songs from China's Three Parts | 第35-41页 |
| 4.1.3 General Analysis o Structures and Comparisons of Features in Three districts | 第41-42页 |
| 4.2 Comparison of Code Switching by Poplack's Typology | 第42-49页 |
| 4.2.1 Overall Description of Code Switching from the Total 300 Songs | 第42-43页 |
| 4.2.2 Comparison of Code Switches of Pop Songs from Three Districts | 第43-48页 |
| 4.2.3 General Analysis of Features in Three Districts | 第48-49页 |
| 4.3 Analysis of Code Switching Features in Terms of Language Creativity | 第49-62页 |
| 4.3.1 Creative Localization of English Elements Pop Songs from Mainland | 第50-54页 |
| 4.3.2 Creative Localization of English Elements in Pop Songs from Hong Kong | 第54-55页 |
| 4.3.3 Creative Localization of English Elements in Pop Songs from Taiwan | 第55-58页 |
| 4.3.4 General Analysis of Language Creativity of Code Switching in Chinese Pop Music | 第58-62页 |
| Chapter Five Conclusion | 第62-66页 |
| 5.1 Findings | 第62-64页 |
| 5.2 Limitations and Suggestions | 第64-66页 |
| References | 第66-70页 |
| Appendix | 第70-77页 |
| 作者简介 | 第77页 |
