| 摘要 | 第3-4页 |
| Abstract | 第4-5页 |
| Chapter One Introduction | 第8-20页 |
| 1.1 Samuel Beckett and His Works | 第8-10页 |
| 1.2 Literature Review | 第10-16页 |
| 1.2.1 Research Abroad | 第10-13页 |
| 1.2.2 Research at Home | 第13-16页 |
| 1.3 Trauma Theory | 第16-18页 |
| 1.4 Thesis Outline | 第18-20页 |
| Chapter Two Types and Characteristics of Body Language in Beckett's plays | 第20-27页 |
| 2.1 Types of Body Language | 第20-23页 |
| 2.2 Characteristics of Body Language | 第23-27页 |
| Chapter Three Body Language and Its Traumatic Metaphors | 第27-51页 |
| 3.1 Body Language and the Trauma of the War | 第27-39页 |
| 3.1.1 Movement of Violence in Waiting for Godot | 第28-32页 |
| 3.1.2 Movement of Mechanical Repetition in Happy Days | 第32-34页 |
| 3.1.3 Movement of Silence in Waiting for Godot | 第34-37页 |
| 3.1.4 Movement of Resistance in Catastrophe | 第37-39页 |
| 3.2 Body Language and the Traumas from the Frustration of Relationship | 第39-51页 |
| 3.2.1 Movement of Threat in Endgame and Distorted Family Love | 第40-43页 |
| 3.2.2 Movement of Talking in Happy Days and Alienated Marriage | 第43-47页 |
| 3.2.3 Movement of Listening in Krapp's Last Tape and Self-Isolation | 第47-51页 |
| Chapter Four Beckett's Traumatic Experience and World Suffering | 第51-58页 |
| 4.1 Beckett's Traumatic Experience | 第51-55页 |
| 4.1.1 Trauma of the War and Violence | 第51-53页 |
| 4.1.2 Trauma from the Frustration of Relationship | 第53-55页 |
| 4.2 World Suffering | 第55-58页 |
| Chapter Five Conclusion | 第58-60页 |
| Bibliography | 第60-64页 |
| Acknowledgements | 第64-65页 |
