首页--艺术论文--电影、电视艺术论文--电影、电视艺术理论论文--电影、电视的评论、欣赏论文

从霍夫斯泰德的文化价值维度看电影《刮痧》中的跨文化适应

摘要第6-7页
Abstract第7-8页
Introduction第11页
1. Literature Review第11-16页
    1.1 A Review of Cross-cultural Adaptation第11-14页
        1.1.1 Cross-cultural Adaptation Study Abroad第12-13页
        1.1.2 Cross-cultural Adaptation Study at Home第13-14页
    1.2 A Review of the Cultural Value Theory第14-16页
        1.2.1 The Cultural Value Theory Study Abroad第14-15页
        1.2.2 The Cultural Value Theory Study at Home第15-16页
    1.3 A Review of the Movie—the Guasha Treatment Study at Home第16页
2. A General Introduction to Geert Hofstede' Cultural Value Theory第16-20页
    2.1 Power Distance第17页
    2.2 Uncertainty Avoidance第17-18页
    2.3 Individualism and Collectivism第18页
    2.4 Masculinity and Femininity第18-19页
    2.5 Long Term Orientation and Short Term Orientation第19-20页
3. Geert Hofstede' Cultural Value Theory and Cross-cultural Adaptation第20-26页
    3.1 The Applicability of Cultural Value Theory to Cross-cultural Adaptation第20-22页
        3.1.1 Definition of Cross-cultural Adaptation第20-21页
        3.1.2 The Models of Cross-cultural Adaptation第21页
        3.1.3 Correlation between Cultural Adaptation and Cultural Value Theory第21-22页
    3.2 The Enlightenment of Cultural Value Theory on Cross-cultural Adaptation第22-26页
        3.2.1 Enlightenment on Cultural Shock第22-24页
        3.2.2 Enlightenment on Cultural Adaptation第24-26页
4. An analysis of Cross-cultural Adaptation in Guasha Treatment by Geert Hofstede' Cultural Value Theory第26-55页
    4.1 About Guasha Treatment第26-27页
    4.2 A General Introduction to Kalvero Obeg and His U-Curve Model第27-30页
    4.3 The Power Distance Reflected in the Movie第30-36页
        4.3.1 High-Power Distance第30-32页
        4.3.2 Low-power Distance第32-36页
    4.4 The Uncertainty Avoidance Reflected in the Movie第36-38页
        4.4.1 Strong Uncertainty Avoidance第37页
        4.4.2 Weak Uncertainty Avoidance第37-38页
    4.5 The Individualism and Collectivism Reflected in the Movie第38-45页
        4.5.1 Family Space第38-43页
        4.5.2 Face Concept第43-45页
    4.6 Long Term Orientation and Short Term Orientation Reflected in the Movie第45页
    4.7 Kalvero Obeg' U-Curve Model Reflected by Those Cases in Guasha Treatment第45-55页
5. The Enlightenment From the study第55-57页
    5.1 Major Findings第55-56页
    5.2 Limitations第56页
    5.3 Recommendations for Further Study第56-57页
Conclusion第57-58页
References第58-62页
Acknowledgments第62-63页

论文共63页,点击 下载论文
上一篇:民国时期无锡民族工商业视觉文化与设计方法研究
下一篇:后叙事学视域下朴赞郁电影的叙事研究--以《复仇三部曲》为例