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从文学伦理学批评视角比较《金色的耶路撒冷》与《强盗新娘》

ACKNOWLEDGEMENTS第5-6页
ABSTRACT第6-7页
摘要第8-12页
Chapter One INTRODUCTION第12-17页
    1.1 Margaret Drabble and Jerusalem the Golden第12-14页
    1.2 Margaret Atwood and The Robber Bride第14-16页
    1.3 Structure of the Thesis第16-17页
Chapter Two LITERATURE REVIEW第17-27页
    2.1 Studies on Jerusalem the Golden at Home and Abroad第17-21页
    2.2 Studies on The Robber Bride at Home and Abroad第21-24页
    2.3 Ethical Literary Criticism第24-27页
Chapter Three INTERPERSONAL ETHIC IN TWO WORKS第27-41页
    3.1 Natural Emotion of Social Relation in Jerusalem the Golden第27-33页
        3.1.1 Clara and Clelia: the intimate friendship第28-31页
        3.1.2 Secrets and sadness in the “holy land”第31-33页
    3.2 Moral Emotion of Social Relation in The Robber Bride第33-41页
        3.2.1 Tony, Charis and Roz: the sisterhood第34-37页
        3.2.2 Awakening and rebirth in “darkness”第37-41页
Chapter Four FAMILY ETHIC IN TWO WORKS第41-58页
    4.1 The Ethical Predicament of Parent-Child Relationship in Two Works第41-47页
        4.1.1 Clara’s mother: deviation of mother’s identity第42-44页
        4.1.2 Three protagonists’ father: absence of parental love第44-47页
    4.2 The Ethical Predicament of Sexual Relationship in Two Works第47-52页
        4.2.1 The abnormal affection between Clara and Gabriel第47-49页
        4.2.2 Subversion of the marriage between wives and husbands第49-52页
    4.3 The Ethical Taboo of Kinship in Two Works第52-58页
        4.3.1 Uncontrolled incest relationship in Denham’s family第53-55页
        4.3.2 Compelled incest relationship in Charis’s family第55-58页
Chapter Five SURVIVAL ETHIC IN TWO WORKS第58-72页
    5.1 Resistance or Obedience: Ethical Consciousness in Jerusalem the Golden第58-65页
        5.1.1 Mrs. Maugham: lost under the oppression of ethical consciousness第59-61页
        5.1.2 Clara: growth after gaining ethical consciousness第61-63页
        5.1.3 The conflict between “new woman” and “old woman”第63-65页
    5.2 Struggle and Repression: Ethical Identity in The Robber Bride第65-72页
        5.2.1 Tony, Charis and Roz: the transformation in predicament第65-67页
        5.2.2 Zenia: the indulgence in conspiracy第67-69页
        5.2.3 The conflict between “goddess” and “syren”第69-72页
Chapter Six CONCLUSION第72-75页
WORK CITED第75-78页

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