| Acknowledgements | 第1-7页 |
| 摘要 | 第7-14页 |
| Index | 第14-19页 |
| Introduction | 第19-22页 |
| 1 Chapter RESEARCH PLAN | 第22-27页 |
| ·RESEARCH PROBLEM | 第23页 |
| ·RESEARCH IMPORTANCE | 第23-24页 |
| ·RESEARCH OBJECTIVES | 第24-25页 |
| ·RESEARCH METHODOLOGY | 第25-26页 |
| ·RESEARCH FIELD | 第26-27页 |
| 2 Chapter YEMENI TV AND SERIES | 第27-43页 |
| Introduction | 第28页 |
| ·YEMEN TV | 第28-29页 |
| ·TYPES OF SATELLITE CHANNELS | 第29-32页 |
| ·Governmental channels | 第29-30页 |
| ·Yemen TV | 第30页 |
| ·Aden channel | 第30页 |
| ·Shabe channel | 第30页 |
| ·Al-eman channel | 第30页 |
| ·Private channels | 第30-32页 |
| ·Alsaidah channel | 第31页 |
| ·Suhail channel | 第31页 |
| ·Almasereh channel | 第31-32页 |
| ·Aqeeqchannel | 第32页 |
| ·Yemen Shabab TV channel | 第32页 |
| ·Aden Live channel | 第32页 |
| ·Diaa channel | 第32页 |
| ·Yemen today channel | 第32页 |
| ·Azal channel | 第32页 |
| ·AlSahat channel | 第32页 |
| ·YEMENI DRAMA | 第32-37页 |
| ·Kinds of Yemeni series(tragedy-comedy) | 第33-34页 |
| ·Types of Yemeni TV series | 第34-37页 |
| ·PRODUCTION OF YEMENI TV SERIES | 第37-40页 |
| ·Forms of production | 第37页 |
| ·International co-production | 第37-38页 |
| ·C-Marketing of Yemen series | 第38-40页 |
| CONCLUSION | 第40-43页 |
| 3 Chapter PROCEDURES FOR THE ANALYSIS OF RESEARCH SAMPLES | 第43-56页 |
| ·FIRST:FIELD STUDY PROCEEDINGS | 第43-44页 |
| ·Community of the study | 第43页 |
| ·Sample of the study | 第43页 |
| ·The search tool | 第43页 |
| ·Method of data collection | 第43-44页 |
| ·CONTENT ANALYSIS PROCEDURES FOR A SAMPLE OF YEMENI TV SERIES | 第44-51页 |
| ·Method of sample selection and justification for the selection | 第44-51页 |
| ·Determining the categories of analysis | 第44-51页 |
| ·Content analysis categories in relation to "what was said" | 第45页 |
| ·Cate-gories of content analysis in relation to "how it was said" | 第45-46页 |
| ·Second:Category movement in the frame | 第46-49页 |
| ·Class of Light | 第49-50页 |
| ·The sound | 第50页 |
| ·Class style montage | 第50-51页 |
| ·DETERMINE THE UNITS OF ANALYSIS | 第51-52页 |
| ·The natural unit of media material | 第51页 |
| ·Scene Unit | 第51页 |
| ·Shot Unit | 第51页 |
| ·Unit of time metrics | 第51-52页 |
| ·TEST VALIDITY AND RELIABILITY | 第52-54页 |
| ·Validity analysis | 第52页 |
| ·Analysis Reliability | 第52-54页 |
| CONCLUSION | 第54-56页 |
| 4 Chapter FINDINGS OF THE ANALYTICAL STUDY | 第56-111页 |
| ·THE FIELD STUDY | 第59-61页 |
| ·Viewing size of the Yemeni TV Series | 第59页 |
| ·Public opinion in the Yemeni TV series | 第59-60页 |
| ·Determine the wishes of the sample watch foreign TV series | 第60-61页 |
| ·CHARACTERISTICS FOR SHOTS IN THE YEMENI TV SERIES | 第61-107页 |
| ·Types of shots used and its dramatic purposes | 第61-69页 |
| ·Predominance of the medium and close shots | 第61-63页 |
| ·Lack of dramatic purposes shots | 第63-67页 |
| ·Dramatic purposes for long shots | 第63-64页 |
| ·Dramatic purposes for medium shots | 第64-66页 |
| ·Dramatic purposes close shots | 第66-67页 |
| ·Imaging angles shots in the Yemen series | 第67-69页 |
| ·Characteristics of the movement in the Yemeni TV series | 第69-79页 |
| ·The relationship between the camera movement and subject | 第69-72页 |
| ·Performance characteristics of movement of characters | 第72-73页 |
| ·Dramatic purposes to the camera movement | 第73-79页 |
| ·Use movement in order to enter the scene and get out of it | 第74-75页 |
| ·Use the camera movement in order to follow the event | 第75-76页 |
| ·Using the camera movement of goal to confirm and intensify the dramatic meaning | 第76-77页 |
| ·Use of camera movement for symbolic link between things | 第77-79页 |
| ·The characteristics of the composition in the Yemeni TV series | 第79-91页 |
| ·Composition Levels in the Yemeni TV series | 第80-81页 |
| ·Dramatic Purpose to constructing of the composition levels in the Yemeni TV series | 第81-87页 |
| ·Only a sense of depth | 第82-83页 |
| ·The psychological link between the levels of composition | 第83-84页 |
| ·Strengthening this purpose | 第84页 |
| ·Technical methods used to achieve the composition depth | 第84-85页 |
| ·Order levels in the composition | 第85页 |
| ·And has appeared in the Yemeni TV series that the use of two modestogether | 第85-86页 |
| ·Use of The lighting | 第86-87页 |
| ·Dramatic purposes to determine the center of attention in the frame of theYemeni Series | 第87-91页 |
| ·Show the most important of dramatic elements | 第88-89页 |
| ·To intensify the dramatic effect (focus) | 第89页 |
| ·Structional of a balanced composition | 第89-90页 |
| ·Show the contrast in frame | 第90-91页 |
| ·To leave space for the movement of Actor | 第91页 |
| ·The characteristics of the light in the Yemeni TV series | 第91-95页 |
| ·The time significance of the light sources | 第92-93页 |
| ·Natural lighting | 第92-93页 |
| ·The Artificial Lighting | 第93-95页 |
| ·Characteristics to sound in Yemeni series | 第95-98页 |
| ·Artistic forms of sound: | 第95-97页 |
| ·The dialog | 第95-97页 |
| ·The Music | 第97页 |
| ·Use the music in the Yemeni TV series | 第97-98页 |
| ·The use of music to show elements contrast and confirmation | 第97-98页 |
| ·Highlight the special psychological meaning of characters | 第98页 |
| ·Using music as a backdrop for dramatic action | 第98页 |
| ·Using music to express the psychological atmosphere | 第98页 |
| ·Characte ristics of the montage in the Yemeni TV series | 第98-103页 |
| ·The focus | 第99页 |
| ·Time | 第99页 |
| ·Smoothness | 第99-103页 |
| ·Content analysis of Yemeni TV serie | 第103-107页 |
| ·Types of positive Values | 第103-107页 |
| CONCLUSION | 第107-111页 |
| References | 第111-117页 |
| EXTENSION | 第117-121页 |
