| Acknowledgements | 第1-6页 |
| Abstract | 第6-8页 |
| 摘要 | 第8-10页 |
| Contents | 第10-12页 |
| Chapter One Introduction | 第12-22页 |
| ·Vladimir Nabokov and His Literary World | 第12-15页 |
| ·Literature Review | 第15-20页 |
| ·The Structure of the Thesis | 第20-22页 |
| Chapter Two The Theory of Narratology | 第22-26页 |
| ·Classical Narratology | 第23-24页 |
| ·Postclassical Narratology | 第24-26页 |
| Chapter Three Duality of the Narrative Text | 第26-39页 |
| ·Authenticity of the Text | 第26-30页 |
| ·Fictionality of the Text | 第30-39页 |
| Chapter Four Duality of Narrator | 第39-54页 |
| ·Humbert Humbert as the Narrator in the Narrative Text | 第39-49页 |
| ·Humbert Humbert as the First-Person Narrator | 第39-45页 |
| ·Humbert Humbert as the Third-Person Narrator | 第45-47页 |
| ·Function of This Technique | 第47-49页 |
| ·Nabokov as the Narrator | 第49-54页 |
| ·Nabokov as the External Narrator—John Ray in the Foreword | 第49-52页 |
| ·Nabokov—the Author of Lolita in the Postscript | 第52-53页 |
| ·Function of This Technique | 第53-54页 |
| Chapter Five Duality of the Narrative Text Themes | 第54-61页 |
| ·Humbert: Time, Memory, Imagination and Irony of Love and Beauty | 第55-59页 |
| ·Humbert the past: Time, Memory, Imagination | 第55-58页 |
| ·Humbert the present: Irony of Beauty and Love | 第58-59页 |
| ·John Ray (Vladimir Nabokov): A Case History | 第59页 |
| ·Nabokov: An Artistic Work | 第59-61页 |
| Chapter Six Conclusion | 第61-64页 |
| References | 第64-68页 |
| Publications | 第68页 |
