| Acknowledgements | 第1-7页 |
| Abstract | 第7-9页 |
| 摘要 | 第9-10页 |
| CONTENTS | 第10-12页 |
| INTRODUCTION | 第12-20页 |
| 1. Literature Review of Charles Dickens' Oliver Twist | 第12-15页 |
| 2. Literature Review of Mo Yan's Transparent Carrot | 第15-17页 |
| 3. Perspective and Structure of This Paper | 第17-20页 |
| CHAPTER 1 THE SOURCES OF TRAUMATIC CHILDREN IMAGES | 第20-36页 |
| ·Social Origins of Literary Writing | 第21-26页 |
| ·The development of traumatic children in Britain | 第21-23页 |
| ·The development of traumatic children in China | 第23-26页 |
| ·Psychological Reasons for Writers' Creation | 第26-36页 |
| ·Dickens' ideal adaption | 第27-31页 |
| ·Mo Yan's prototypical representation | 第31-36页 |
| CHAPTER 2 TEXTUAL EXPRESSIONS OF TRAUMATIC CHILDREN | 第36-53页 |
| ·Traumatic Children's Portraits and Psychologies | 第37-45页 |
| ·The homeless orphan's depression | 第38-41页 |
| ·The spiritual outcast' anxiety | 第41-45页 |
| ·Traumatic Children's Personalities and Behaviors | 第45-53页 |
| ·Oppression and nonviolence | 第46-49页 |
| ·Worship and counterriolence | 第49-53页 |
| CHAPTER 3 ARTISTIC DESIGN OF CHILDREN'S TRAUMA | 第53-69页 |
| ·Traumatic Children's Senses and Thoughts | 第53-61页 |
| ·To taste, hear and imagine the reality | 第54-57页 |
| ·To smell, sound and fancy the myth | 第57-61页 |
| ·Traumatic Children's Languages and Identities | 第61-69页 |
| ·An elegant gentleman | 第62-65页 |
| ·A Silent Rebel | 第65-69页 |
| CHAPTER 4 THE ESSENCE OF TRAUMATIC CHILDREN IMAGES | 第69-78页 |
| ·Dickens' Social Responsibility | 第69-73页 |
| ·Mo Yan's Culture Reflection | 第73-78页 |
| CONCLUSION | 第78-80页 |
| NOTES | 第80-85页 |
| REFERENCES | 第85-89页 |
