| ACKNOWLEDGEMENTS | 第5-6页 |
| ABSTRACT | 第6-7页 |
| 摘要 | 第8-11页 |
| CHAPTER ONE INTRODUCTION | 第11-23页 |
| 1.1 Author and the Social Background | 第11-12页 |
| 1.2 The Work under Study | 第12-13页 |
| 1.3 Literature Review | 第13-16页 |
| 1.4 Theorizing Subculture | 第16-19页 |
| 1.5 Research Questions, Methodology and Structure | 第19-23页 |
| CHAPTER TWO STYLE AS A VERB | 第23-33页 |
| 2.1 Bricolage and Its Presentation | 第23-25页 |
| 2.2 Homology and Its Reflection | 第25-28页 |
| 2.3 Signifying Practice and Its Manifestation | 第28-30页 |
| 2.4 Significance of Style | 第30-33页 |
| CHAPTER THREE THE RECOGNITION OF IDENTITY | 第33-45页 |
| 3.1 Collective Civilized Identities | 第33-36页 |
| 3.2 Uncivilized Hunting Identities | 第36-40页 |
| 3.3 Other Identities | 第40-45页 |
| CHAPTER FOUR ROMANTIC RESISTANCE | 第45-53页 |
| 4.1 Reasons of Romantic Resistance | 第46-48页 |
| 4.2 Process of Romantic Resistance | 第48-50页 |
| 4.3 Results of Incapability of Romantic Resistance | 第50-53页 |
| CHAPTER FIVE CONCLUSION | 第53-55页 |
| WORKS CITED | 第55-58页 |
