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A Study on Female Image in Whitmans Leaves of Grass and Tagores Gitanjali

ACKNOWLEDGEMENTS第9-10页
ABSTRACT第10页
摘要第11-13页
CHAPTER Ⅰ INTRODUCTION第13-21页
    1.1 Walt Whitman and His Leaves of Grass第15-17页
    1.2 Rabindranath Tagore and His Gitanjali第17-21页
CHAPTER Ⅱ LITERATURE REVIEW第21-27页
    2.1 Studies on Whitman and His Poems第21-23页
    2.2 Studies on Tagore and His Poems第23-25页
    2.3 The Purpose and Value of This Study第25-27页
CHAPTER Ⅲ THEORATICAL FRAMEWORK第27-31页
    3.1 Image Study throughout History第27-29页
    3.2 Related Concepts in Image Study第29-31页
CHAPTER Ⅳ FEMALE IMAGE STUDY AND COMPARISON第31-57页
    4.1 Image Imitation—Sculpture Art of Poetry第31-45页
        4.1.1 Female Images in Marriage—Equal with Male第32-37页
        4.1.2 Mother’s Image Comparison第37-45页
    4.2 The Ambiguity of Images第45-50页
        4.2.1 The Ambiguity of Character’s Identity第45-49页
        4.2.2 The Ambiguity of Time and Space第49-50页
    4.3 Imagery Study in Leaves of Grass and Gitanjali第50-57页
        4.3.1 Grass and Flower Images’ Foiling Effect on Female Image第51-54页
        4.3.2 Other Images’ Foiling Effect on Female Image第54-57页
CHAPTER Ⅴ WHITMAN AND TAGORE’S APPRECIATION TO WOMEN第57-65页
    5.1 The Appreciation of Women’s Natural Beauty第57-60页
        5.1.1 Whitman’s Appreciation of Natural and Healthy Female第57-59页
        5.1.2 Tagore’s Appreciation of Female’s Natural State第59-60页
    5.2 New Women, New Spirit and New Life第60-65页
        5.2.1 Whitman’s Hymn for New Women第61-62页
        5.2.2 Tagore’s Hymn for New Women第62-65页
CHAPTER Ⅵ CONCLUSION第65-67页
WORKS CITED第67-69页

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