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翻译美学视域下的小说翻译--以《德伯家的苔丝》的两个汉译本为例

Abstract第9页
摘要第11-13页
Introduction第13-19页
    Research Background第13-15页
    Structure of the Thesis第15-17页
    Significance of the Study第17-19页
Chapter One Activities of Translation Aesthetics第19-27页
    1.1 Definition of Translation Aesthetics第19-21页
    1.2 Previous Studies on Translation Aesthetics第21-24页
        1.2.1 Studies on Translation Aesthetics Theories第21-23页
        1.2.2 Studies on the Application of Translation Aesthetics第23-24页
    1.3 Inspiration from the Previous Studies第24-27页
Chapter Two Main Theories of Liu Miqing on Modern Translation Aesthetics第27-39页
    2.1 Brief Introduction to Liu Miqing第27-28页
    2.2 Main Theories on Translation Aesthetics第28-36页
        2.2.1 Aesthetic Object of Translation and Its Value第28-30页
        2.2.2 Aesthetic Subject of Translation and Subjective Dynamics第30-32页
        2.2.3 Aesthetic Process of Translation第32-34页
        2.2.4 Aesthetic Criteria of Translation第34-36页
    2.3 Translation Aesthetics and Literary Translation第36-39页
Chapter Three Novel Translation from the Perspective of Translation Aesthetics第39-49页
    3.1 Status Quo of Novel Translation第39-41页
    3.2 Exploration of Aesthetics in Novel Translation第41-49页
        3.2.1 Main Characteristics of Novel Translation and Its Aesthetic Reproduction第42-45页
        3.2.2 Responsibility of Translator第45-49页
Chapter Four Case Study:Aesthetic Reproduction in Tess of the d'Urbervilles第49-67页
    4.1 The Case:Tess of the d'Urbervilles第49-55页
        4.1.1 Background of Tess of the d'Urbervilles第49-52页
        4.1.2 Representative Translators of Tess of the d'Urbervilles第52-55页
    4.2 Aesthetic Reproduction of the Formal Aesthetic Values第55-62页
        4.2.1 The Formal Aesthetic Constituents at the Phonetic Level第55-58页
        4.2.2 The Formal Aesthetic Constituents at the Lexical Level第58-60页
        4.2.3 The Formal Aesthetic Constituents at the Syntactic and Textual Levels第60-62页
    4.3 Aesthetic Reproduction of the Non-Formal Aesthetic Valus第62-65页
        4.3.1 Image第62-63页
        4.3.2 Artistic Conception第63-65页
    4.4 Summary第65-67页
Conclusion第67-71页
    Major Findings第67-69页
    Limitations and Suggestions第69-71页
Notes第71-73页
References第73-77页
Acknowledgements第77-78页
List of Publication第78-79页
附表第79页

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