| 摘要 | 第4-5页 |
| Abstract | 第5-6页 |
| Introduction | 第8-21页 |
| 1. A Brief Introduction to American Musicals and Hamilton | 第8-9页 |
| 2. Literature Review | 第9-11页 |
| 3. The Theoretical Framework | 第11-19页 |
| 4. Layout of the Thesis | 第19-21页 |
| Chapter One Retrospection of the History | 第21-39页 |
| 1.1 History of American Musicals | 第21-25页 |
| 1.2 The Real Hamilton in American History | 第25-28页 |
| 1.3 History of Puerto Rico Immigrants and the Playwright | 第28-39页 |
| Chapter Two Subversion of the History | 第39-51页 |
| 2.1 A Changed Historical Figure | 第39-47页 |
| 2.2 The Subversion of Traditional Musical Format | 第47-49页 |
| 2.3 The Subversion of the Colored People's Historical Status | 第49-51页 |
| Chapter Three Reconstruction of the History | 第51-60页 |
| 3.1 A Reconstructed History of Puerto Rican and Hamilton | 第51-52页 |
| 3.2 A New Page in American Musicals | 第52-53页 |
| 3.3 A Fresh Perception of Identity, Race and History | 第53-60页 |
| Conclusion | 第60-62页 |
| Bibliography | 第62-68页 |
| Acknowledgements | 第68页 |
