| Acknowledgements | 第5-6页 |
| Abstract | 第6页 |
| 摘要 | 第7-10页 |
| Chapter One Introduction | 第10-16页 |
| 1.1 Research Background | 第10-14页 |
| 1.1.1 An Overview of Chinese Diaspora Artists in Australia | 第10-11页 |
| 1.1.2 A Brief Introduction to Zhou Xiaoping | 第11-14页 |
| 1.2 Research Significance | 第14-15页 |
| 1.3 Outline of the Thesis | 第15-16页 |
| Chapter Two Australian Aboriginal Art and Its Interaction with Non-Indigenous Arts from the Postcolonial Perspective | 第16-27页 |
| 2.1 Postcolonial Australian Art World | 第16-24页 |
| 2.1.1 Tendencies in Aboriginal and Non-Aboriginal Art in Australia | 第16页 |
| 2.1.2 Interaction with Aboriginal Art | 第16-21页 |
| 2.1.2.1 The "Anthropological vs. Art" Debate | 第16-18页 |
| 2.1.2.2 The "Affinity with Western Abstract Art" Debate | 第18-21页 |
| 2.1.3 Asian Diasporic Art in Australia | 第21-24页 |
| 2.2 Previous Studies on Zhou Xiaoping | 第24-27页 |
| Chapter Three Diaspora and Cultural Translation: A Theoretical Outlook | 第27-40页 |
| 3.1 Diaspora and Postcolonial Art | 第27-31页 |
| 3.1.1 Conceptualising Postcolonial Diaspora | 第27-28页 |
| 3.1.2 Art and the Postcolonial Imagination | 第28-31页 |
| 3.2 Cultural Translation | 第31-40页 |
| 3.2.1 The Diffuse Concept of "Cultural Translation" | 第31-33页 |
| 3.2.2 Cultural Translation in Cultural Studies | 第33-37页 |
| 3.2.3 A Cultural Translation Approach to Visual Art | 第37-40页 |
| Chapter Four Analyses of Cultural Translation in Zhou Xiaoping’s Paintings | 第40-74页 |
| 4.1 Tendencies in Zhou Xiaoping’s Artistic Development | 第40-46页 |
| 4.1.1 A Syncretic Approach to Art Making | 第42-45页 |
| 4.1.2 Collaboration with Aboriginal Artists | 第45-46页 |
| 4.2 A Postcolonial Turn: Trepang: China and the Story of Macassan - Aboriginal Trade (2011) | 第46-60页 |
| 4.2.1 From Art to Life (2009) | 第46-50页 |
| 4.2.2 String Pulled Across Time (2009) | 第50-55页 |
| 4.2.3 Dialogue (2009) | 第55-60页 |
| 4.3 Transformation and Emancipation: Dialogues with the Dreaming | 第60-74页 |
| 4.3.1 Red Land (2014) | 第61-65页 |
| 4.3.2 Dreamland (2014) | 第65-69页 |
| 4.3.3 Crossing (2016) | 第69-74页 |
| Chapter Five Conclusion | 第74-78页 |
| References | 第78-89页 |
| Works of Arts Studied | 第89-90页 |
