| 摘要 | 第6-7页 |
| Abstract | 第7-8页 |
| CHAPTER ONE INTRODUCTION | 第11-21页 |
| 1.1 Research Background | 第11-14页 |
| 1.1.1 Everything I Never Told You | 第11-13页 |
| 1.1.2 Celeste Ng | 第13-14页 |
| 1.2 Literature Review | 第14-17页 |
| 1.2.1 Studies on Chinese-American Literature in 21~(st) Century at Home and Abroad | 第14-15页 |
| 1.2.2 Studies on Everything I Never Told You at Home and Abroad | 第15-17页 |
| 1.3 Research Methodology | 第17-19页 |
| 1.4 Research Purpose and Significance | 第19-20页 |
| 1.5 Organization of the Thesis | 第20-21页 |
| CHAPTER TWO RESPONSE-INVITING STRUCTURE IN RECEPTION AESTHETICS THEORY AND RELATED STUDIES | 第21-31页 |
| 2.1 Theoretical Basis | 第21-28页 |
| 2.1.1 Wolfgang Iser's Response-inviting Structure | 第21-26页 |
| 2.1.2 Zhu Liyuan's Five Levels of Literary Work Structure | 第26-28页 |
| 2.2 Related Studies on Iser's Response-inviting Structure and Zhu Liyuan's Five Levels of Literary Work Structure in Present Literary Criticism | 第28-31页 |
| CHAPTER THREE AESTHETIC VALUE SHOWN BY RESPONSE-INVITING STRUCTURE IN UNIQUE NARRATIVE STRUCTURE | 第31-41页 |
| 3.1 Non-chronological Time Narration | 第31-34页 |
| 3.2 Flashbacks | 第34-36页 |
| 3.3 Foreshadowing | 第36-41页 |
| CHAPTER FOUR AESTHETIC VALUE SHOWN BY RESPONSE-INVITING STRUCTURE IN LINGUISTIC LEVEL | 第41-63页 |
| 4.1 Obscure Words | 第42-53页 |
| 4.1.1 Verbs | 第42-46页 |
| 4.1.2 Adjectives | 第46-47页 |
| 4.1.3 Nouns | 第47-49页 |
| 4.1.4 Indefinite Pronouns | 第49-53页 |
| 4.2 Rhetorical Devices | 第53-63页 |
| 4.2.1 Metaphors | 第53-56页 |
| 4.2.2 Various Symbols | 第56-63页 |
| CHAPTER FIVE AESTHETIC VALUE SHOWN BY RESPONSE-INVITING STRUCTURE IN PSYCHOLOGICAL LEVEL | 第63-70页 |
| 5.1 Racial Barriers | 第63-65页 |
| 5.2 Burden of Familial Expectations | 第65-68页 |
| 5.3 Basic Human Thirst for Belonging | 第68-70页 |
| CHAPTER SIX CONCLUSION | 第70-75页 |
| 6.1 Findings of the Thesis | 第70-73页 |
| 6.2 Limitations of the Present Study | 第73-75页 |
| ACKNOWLEDGEMENTS | 第75-77页 |
| BIBLIOGRAPHY | 第77-82页 |
| PAPER PUBLISHED DURING MA STUDIES | 第82页 |
