| PREFACE | 第1-14页 |
| CHAPTER ONE A BRIEF HISTORY OF CHINESE LYRICS | 第14-30页 |
| Ⅰ. Origin and Development | 第14-21页 |
| Ⅱ. Heyday and Decline | 第21-30页 |
| CHAPTER TWO A COMPARISON BETWEEN THE ARTISTIC FORMS OF CHINESE LYRICS AND ENGLISH POETRY | 第30-58页 |
| Ⅰ. The Artistic Form of Chinese Lyrics | 第30-46页 |
| 1. Ci Pai, Ci Pu and Ci Diao | 第30-31页 |
| 2. Passage and Sentence Structure of Lyrics | 第31-36页 |
| (1) Passage Structure of Lyrics | 第31-33页 |
| (2) Sentence Structure of Lyrics. | 第33-36页 |
| 3. Basic Meter of Lyrics: Tonal Pattern, Rhyme and Antithesis | 第36-46页 |
| (1) Tonal Pattern | 第37-38页 |
| (2) Rhyme | 第38-41页 |
| (3) Antithesis | 第41-46页 |
| Ⅱ. The Artistic Form of English Poetry | 第46-58页 |
| 1. The Musical System of English Poetry | 第46-56页 |
| (1) The Prosodic Features of English Poetry: Stress, Length and Pause | 第46-49页 |
| a. Stress | 第46-47页 |
| b. Length | 第47-48页 |
| c. Pause | 第48-49页 |
| (2) Basic Meter of English Poetry | 第49-51页 |
| a. Iambus; the Iambic Foot | 第49-50页 |
| b. Trochee; the Trochaic Foot | 第50页 |
| c. Dactyl | 第50-51页 |
| d. Anapaest; the Anapaestic Foot | 第51页 |
| (3) The Rhyme of English Poetry | 第51-56页 |
| a. Internal Rhyme | 第51-52页 |
| b. End Rhyme | 第52-54页 |
| c. Rhyming Scheme | 第54-56页 |
| 2. The Visual System of English Poetry | 第56-58页 |
| 1.Line | 第56-57页 |
| 2. Stanza | 第57-58页 |
| CHAPTER THREE FUNCTIONAL EQUVALENCE AND POETRY TRANSLATION | 第58-70页 |
| Ⅰ. Functional Equivalence | 第58-63页 |
| 1. Definition and Procedures of Translation | 第58-60页 |
| 2. Functional Equivalence | 第60-63页 |
| Ⅱ. Poetry Translation | 第63-68页 |
| 1. Poetry Translation | 第63-65页 |
| 2. Approaches and Theories of Poetry Translation | 第65-68页 |
| Ⅲ. The Theory and Approaches to Be Adopted in the Analysis of English Translation of Chinese Lyrics in This Paper | 第68-70页 |
| CHAPTER FOUR A SURVEY OF ENGLISH TRANSLATION OF CHINESE LYRICS | 第70-100页 |
| Ⅰ. Equivalence of Beauty in Form | 第70-75页 |
| 1. In Terms of Passage Structure | 第70-71页 |
| 2. In Terms of Number of Lines | 第71页 |
| 3. In Terms of Line Length | 第71-73页 |
| 4. In Terms of Antithesis | 第73-75页 |
| Ⅱ. Equivalence of Beauty in Sound | 第75-86页 |
| 1. Rhythm | 第76-80页 |
| 2. Rhyme | 第80-86页 |
| Ⅲ. Equivalence of Beauty in Meaning | 第86-100页 |
| 1. Denotative Meaning | 第87-91页 |
| 2. Associative Meaning | 第91-100页 |
| CONCLUSION | 第100-102页 |
| BIBLIOGRAPHY | 第102-105页 |
