中文摘要 | 第5-7页 |
ABSTRACT | 第7-8页 |
ABBREVIATIONS | 第15-16页 |
LOCAL TERMS AND ITS ENGLISH MEANING | 第16-17页 |
CHAPTER 1: INTRODUCTION | 第17-27页 |
1.1 BACKGROUND | 第17-21页 |
1.2 SIGNIFICANCE OF THE RESEARCH | 第21-23页 |
1.3 STATEMENT OF THE PROBLEM | 第23-24页 |
1.4 RESEARCH OBJECTIVES | 第24页 |
1.5 RESEARCH QUESTIONS | 第24-25页 |
1.6 LIMITATIONS OF THE STUDY | 第25-26页 |
1.7 FRAMEWORK OF THE STUDY | 第26-27页 |
CHAPTER 2: LITERATURE REVIEW | 第27-47页 |
2.1 UNDERSTANDING OF PUBLIC ART | 第27-31页 |
2.2 TYPES OF PUBLIC ART | 第31-33页 |
2.3 HISTORY OF PUBLIC ART | 第33-35页 |
2.4 THE PLACEMENT OF PUBLIC ART | 第35-37页 |
2.5 URBAN DEVELOPMENT AND PUBLIC ART | 第37-38页 |
2.6 THE ROLE AND BENEFITS OF PUBLIC ART IN THE URBAN LANDSCAPE | 第38-42页 |
2.7 PUBLIC ART AND PUBLIC PERCEPTIONS | 第42-46页 |
2.7.1 THEORETICAL MODEL OF PERCEPTIONS | 第42-43页 |
2.7.2 RESEARCH ABOUT PUBLIC PERCEPTIONS OF PUBLIC ART | 第43-46页 |
2.8 RESEARCH GAP | 第46-47页 |
CHAPTER 3: RESEARCH METHODOLOGY | 第47-60页 |
3.1 RESEARCH PLANNING AND EXECUTION | 第47-48页 |
3.2 PERMISSION ACQUISITION FOR FIELD SURVEY | 第48-49页 |
3.3 SELECTION OF STUDY AREA AND SAMPLING TECHNIQUES | 第49-53页 |
3.3.1 HYPOTHETICAL BASE FOR SAMPLING | 第49-51页 |
3.3.2 SAMPLING AREA SELECTION PROCEDURE | 第51页 |
3.3.3 SELECTION OF RESPONDENTS | 第51-53页 |
3.4 TRIANGULATION | 第53-54页 |
3.5 DATA COLLECTION METHODS | 第54-57页 |
3.6 STEPS OF THE RESEARCH PROCESS | 第57-58页 |
3.7 ATTRIBUTES OF THE STUDY | 第58-59页 |
3.8 DATA ANALYSIS | 第59-60页 |
3.8.1 PROBIT MODEL ANALYSIS | 第59-60页 |
CHAPTER 4: IDENTIFICATION OF PUBLIC ART | 第60-82页 |
4.1 HISTORICAL BACKGROUND | 第60-67页 |
4.1.1 PUBLIC ART HISTORY BEFORE 1947 (INDEPENDENCE) | 第60-61页 |
4.1.2 PUBLIC ART HISTORY AFTER 1947 | 第61-67页 |
4.2 THE LOGIC BEHIND PUBLIC ART IN PAKISTAN | 第67-71页 |
4.2.1 THE ORIENTATION AND ORIGIN OF PUBLIC ART | 第67-70页 |
4.2.2 THE TYPES OF PUBLIC ART AS THE POWER OF MANIFESTATIONS IN PAKISTAN | 第70-71页 |
4.3 THE MONUMENTS OF PAKISTAN | 第71-79页 |
4.3.1 MINAR-E-PAKISTAN | 第73-74页 |
4.3.2 QUAID-E-AZAM TOMB | 第74-75页 |
4.3.3 PAKISTAN MONUMENT | 第75-76页 |
4.3.4 BAB-E-KHYBER (THE GATE OF KHYBER) | 第76-77页 |
4.3.5 THE CLOCK TOWER OF FAISALABAD | 第77页 |
4.3.6 THE ISLAMIC SUMMIT MINAR | 第77-78页 |
4.3.7 NISHAN-E-MANZIL GUJRANWALA | 第78-79页 |
4.4 TRUCK ART AS AN INDIGENOUS FORM OF PUBLIC ART IN PAKISTAN | 第79-81页 |
4.5 SUMMARY OF FINDINGS | 第81-82页 |
CHAPTER 5: AWARENESS & PERCEPTIONS OF CITIZENS TOWARDS PUBLIC ART | 第82-103页 |
5.1 THE SOCIO-DEMOGRAPHIC PROFILE OF RESPONDENTS | 第83-84页 |
5.2 AWARENESS OF PUBLIC ART IN PAKISTAN | 第84-91页 |
5.2.1 PUBLIC ART IS GAINING MOMENTUM IN PAKISTAN | 第86-88页 |
5.2.2 FACTORS AFFECTING PUBLIC ART AWARENESS | 第88-89页 |
5.2.3 PUBLIC ART AWARENESS AND SOCIO-ECONOMIC CHARACTERISTICS | 第89-91页 |
5.3 PUBLIC PERCEPTIONS ABOUT THE ROLE OF PUBLIC ART | 第91-98页 |
5.3.1 PUBLIC ART AS DEVELOPING A SENSE OF PLACE | 第91-93页 |
5.3.2 PUBLIC ART AS DEVELOPING SENSE OF COMMUNITY | 第93-95页 |
5.3.3 PUBLIC ART CREATING SENSE OF IDENTITY | 第95-98页 |
5.4 SOCIAL VALUES OF PUBLIC ART | 第98-102页 |
5.4.1 AESTHETIC VALUES OF PUBLIC ART | 第98-99页 |
5.4.2 EDUCATIONAL VALUES OF PUBLIC ART | 第99-100页 |
5.4.3 ECONOMIC VALUES OF PUBLIC ART | 第100-102页 |
5.5 SUMMARY OF FINDINGS | 第102-103页 |
CHAPTER 6: PREFERENCES AND ATTITUDES OF CITIZEN TOWARDS PUBLIC ART | 第103-113页 |
6.1 CITIZEN'S CULTURAL PREFERENCES OF PUBLIC ART IN PAKISTAN | 第103-106页 |
6.2 THE CITIZEN'S INTEREST IN PUBLIC ART AND OPEN SPACES | 第106-108页 |
6.3 CITIZENS ATTITUDES TOWARDS PUBLIC ART | 第108-112页 |
6.4 SUMMARY OF FINDINGS | 第112-113页 |
CHAPTER 7: SYNTHESIS | 第113-124页 |
7.1 SUMMARY | 第113-117页 |
7.2 CONCLUSION | 第117-118页 |
7.3 SWOT ANALYSIS | 第118-121页 |
7.4 RECOMMENDATIONS | 第121-123页 |
7.5 WAY FORWARD/FUTURE STUDIES | 第123-124页 |
REFERENCES | 第124-135页 |
ANNEXURE 1 RESPONDENTS QUESTIONNAIRE | 第135-143页 |
ANNEXURE 2 INTERVIEW WITH THE EXPERT | 第143-145页 |
ANNEXURE 3 DIFFERENT TYPES OF PUBLIC ART IN THE STUDY AREA | 第145-147页 |
ACKNOWLEDGEMENT | 第147-148页 |
CURRICULUM VITAE | 第148-150页 |