| Acknowledgements | 第1-6页 |
| 摘要 | 第6-7页 |
| Abstract | 第7-9页 |
| Chapter One Introducti | 第9-14页 |
| ·Chinese American Playwright Ping Chong and His Production Chinoiserie | 第9-10页 |
| ·The Introduction of Chinoiserie in East-West Quartet | 第10-11页 |
| ·An Overview of Experimental Narrative Strategies of Chinoiserie | 第11-14页 |
| Chapter Two On Ping Chong’s Experimental Artistic Presentation | 第14-40页 |
| ·Diasporic Subjects in a Mosaic, Prismatic World | 第15-16页 |
| ·The Documentary Text | 第16-18页 |
| ·Rhythmic Words | 第18-19页 |
| ·Mixed Cast and the Malleability of Roles | 第19-25页 |
| ·Playwright-in-Role | 第20-21页 |
| ·Real Voice Onstage | 第21-22页 |
| ·The Complexity of Role Players | 第22-24页 |
| ·The Flexibility of Role Players | 第24-25页 |
| ·Experimental Narrative Strategies | 第25-36页 |
| ·Postdramatisches Theater | 第27-33页 |
| ·The Abandonment of Traditional Theater Narrative Model | 第28-29页 |
| ·Out of the Story Time | 第29-31页 |
| ·Non-linear, Non-sequential Structure | 第31-33页 |
| ·Artistic Narrative Skills’Adoption | 第33-36页 |
| ·Collaging Technique | 第34-35页 |
| ·Montage Sequence | 第35-36页 |
| ·Integrated Artistic Expression Onstage | 第36-37页 |
| ·Stage Design and Multimedia Application | 第37-40页 |
| ·New Functions on the Theater Stage | 第37-38页 |
| ·Multimedia Projections | 第38-40页 |
| Chapter Three Conclusion | 第40-42页 |
| Ping Chong’s Biography | 第42-45页 |
| Bibliography | 第45-48页 |
| 发表论文和科研情况说明 | 第48-49页 |
