| Abstract | 第1-9页 |
| 摘要 | 第9-11页 |
| Introduction | 第11-18页 |
| Chapter One Deconstruction Feature in O'Neill's Middle Plays | 第18-30页 |
| ·Deconstructive Thinking in The Hairy Ape | 第18-24页 |
| ·Deconstructive Thinking in All God's Chillun Got Wings | 第24-30页 |
| Chapter Two Deconstruction Features in O'Neill's Late Plays | 第30-48页 |
| ·Influence of Freudian Psychoanalysis to O'Neill's Deconstructive Thinking in The Iceman Cometh | 第30-40页 |
| ·Influence of Taoism to O'Neill's Deconstructive Thinking in Long Day s Journey Into Night | 第40-48页 |
| Chapter Three Sources of O'Neill's Deconstructive Thinking | 第48-61页 |
| ·The Theory of the Original Sin from Christianity as the Main Source | 第49-52页 |
| ·Sigmund Freud's Theories as the Second Source | 第52-56页 |
| ·Chinese Taoism as the Third Source | 第56-61页 |
| Conclusion | 第61-65页 |
| Bibliography | 第65-68页 |
| Acknowledgements | 第68-69页 |
| Publication | 第69-70页 |
