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重建与幻灭:《野草在歌唱》中的白人女性身份研究

Acknowledgements第5-6页
摘要第6-8页
Abstract第8-9页
1. Introduction第11-20页
    1.1 An introduction to Doris Lessing and The Grass Is Singing第11-14页
    1.2 Purpose and significance of the thesis第14-15页
    1.3 Literature review第15-18页
    1.4 Research methodology第18页
    1.5 Structure of the thesis第18-20页
2. The White Female Other第20-29页
    2.1 A "Subaltern" in a patriarchal society第20-24页
        2.1.1 A "Subaltern" for white males第21-22页
        2.1.2 A "Subaltern" for black males第22-24页
    2.2 Alienation in a white society第24-29页
        2.2.1 The poverty and self-isolated life style第24-26页
        2.2.2 The ambiguous attitude towards the black slave第26-29页
3. The White Female's Self- reconstruction第29-41页
    3.1 Pursuit of female's identity in the patriarchal society第29-35页
        3.1.1 Unconscious repulsion at marriage based on "arid feminism"第29-32页
        3.1.2 An escape from the marital fetter and pursuit of freedom第32-35页
    3.2 A constant quest for female's identity in the colonial society第35-41页
        3.2.1 An attempt for economic independence第36-37页
        3.2.2 The reflection on the colonial ideology and the quest for true love第37-41页
4. The White Female's Disillusionment第41-50页
    4.1 The failure of self-reconstruction第41页
    4.2 The reasons for the disillusionment第41-50页
        4.2.1 Social oppression and the development of feminism第42-45页
        4.2.2 The deficiency of self-consciousness and correct measures第45-50页
5. Conclusion第50-53页
Bibliography第53-56页

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