| Acknowledgements | 第1-4页 |
| 摘要 | 第4-5页 |
| Abstract | 第5-7页 |
| Contents | 第7-8页 |
| Introduction | 第8-13页 |
| Chapter I The Evolution of Lodge's Theory: From New Criticism via Structuralism to Dialogic Theory | 第13-29页 |
| ·The Art of the Novel Is Also an Art of Language | 第13-18页 |
| ·The Modes of Modern Writing | 第18-22页 |
| ·Postmodernist Mode and Principle of Uncertainty | 第22-24页 |
| ·After Bakhtin: Dialogism of Fiction | 第24-29页 |
| Chapter II A Summary of Lodge's Creative Writing: From Realism via Experimental to Humanist Tradition | 第29-44页 |
| ·Early Works of Sober Realism | 第29-32页 |
| ·Experimental Novels During the Maturity | 第32-38页 |
| ·Works after Retirement-A Return to Traditional Realism | 第38-44页 |
| Chapter III Between Theory and Practice-on the Consistency and Discrepancy Between Lodge's Theory and Practice | 第44-73页 |
| ·The Tension between the Two Sides of a Seesaw-A Close Reading on The Picturegoers | 第45-50页 |
| ·The Binary Opposition in Lodge's Novels-Take Changing Places | 第50-58页 |
| ·Lodge's Dialogical Novels-Take Small World | 第58-67页 |
| ·A Survey on the Discrepancy Between Lodge's Theory and Practice and the Cause of the Discrepancy | 第67-73页 |
| Conclusion | 第73-75页 |
| Bibliography | 第75-78页 |
