| 摘要 | 第1-7页 |
| Abstract | 第7-11页 |
| Chapter One:Introduction | 第11-19页 |
| ·Rationale of the present study | 第11-12页 |
| ·Previous studies on CS and CS in Chinese pop songs | 第12-13页 |
| ·Purpose and significance of the study | 第13-14页 |
| ·Methodology and data collection | 第14-18页 |
| ·Outline of the research | 第18-19页 |
| Chapter Two Theoretical Foundation of the Present Study | 第19-30页 |
| ·Theoretical approach to CS, code-mixing and bilingualism | 第19-22页 |
| ·Scotton's matrix language frame (MLF) model | 第22-23页 |
| ·Main content of MFL model | 第22-23页 |
| ·Categories of constituents of CS in MLF model | 第23页 |
| ·Poplack's Typology Model of CS | 第23-25页 |
| ·Tag-switching | 第24页 |
| ·Inter-sentential switching | 第24页 |
| ·Intra-sentential switching | 第24-25页 |
| ·Jef Verschueren's Adaptation Theory:making language choices | 第25-26页 |
| ·Yu Guodong's linguistic adaptation model of CS based on Jef Verschueren's Adaptation Theory | 第26-30页 |
| ·Adaptation to linguistic reality | 第27页 |
| ·Adaptation to social conventions | 第27-28页 |
| ·Adaptation to psychological motivations | 第28-30页 |
| Chapter Three:Structural Features of CS in Chinese Pop Songs | 第30-44页 |
| ·CS as Matrix Language (ML)+Embedded Language (EL) constituents | 第30-38页 |
| ·Analysis of switched bound morphemes, | 第30-31页 |
| ·Analysis of switched letter or letter clusters | 第31-32页 |
| ·Analysis of lexical categories of EL words | 第32-38页 |
| ·CS as EL islands | 第38-42页 |
| ·CS at the Level of EL Phrase | 第38-40页 |
| ·CS at the Level of EL sentence | 第40-41页 |
| ·CS at the Level of EL Discourses | 第41-42页 |
| ·Typology of CS identified as tag, inter-and intra-sentential elements | 第42-44页 |
| Chapter Four Pragmatic Functions of CS in Chinese Pop Songs based on Yu's Adaptation Model | 第44-57页 |
| ·CS in Adaptation to linguistic reality | 第44-52页 |
| ·CS for filling-lexical gap | 第45-48页 |
| ·CS for achieving chanting convenience | 第48-50页 |
| ·CS for constructing the rhyme of songs | 第50-52页 |
| ·CS in Adaptation to social convention | 第52-57页 |
| ·CS for averting taboos | 第53-55页 |
| ·CS for highlighting social background | 第55-57页 |
| Chapter Five Psychological Motivations of CS in Chinese Pop Songs | 第57-67页 |
| ·CS to cater to audience's aspiration for humor | 第57-59页 |
| ·CS to satisfy audience's desire for exotic novelty | 第59-60页 |
| ·CS to build up the affective resonance with audience | 第60-63页 |
| ·CS to enhance the sense of globalization of both singers and audience | 第63-67页 |
| Chapter Six Conclusion | 第67-70页 |
| ·Findings | 第67-69页 |
| ·Limitations and suggestions | 第69-70页 |
| Bibliography | 第70-73页 |
| Appendix Ⅰ CS Instances that Are Analyzed in the Present Study | 第73-81页 |
| Appendix Ⅱ Names and Singers of the 300 Chinese Pop Songs | 第81-85页 |
| Acknowledgements | 第85-86页 |
| Papers Published During MA Study | 第86页 |
