| Acknowledgements | 第1-12页 |
| Abstract | 第12-13页 |
| 摘要 | 第13-14页 |
| Chapter One Introduction | 第14-21页 |
| ·Historical Background of the Study | 第14-16页 |
| ·The Rationale of the Study | 第16-18页 |
| ·The Objectives of the Study | 第18页 |
| ·Research Problems | 第18-19页 |
| ·The Significance of the Study | 第19页 |
| ·Outline of the Thesis | 第19-21页 |
| Chapter Two Literature Review | 第21-45页 |
| ·Introduction | 第21页 |
| ·Turn-taking Mechanism | 第21-32页 |
| ·The Studies of Turn | 第21-23页 |
| ·The Studies of Turn-taking Model | 第23-28页 |
| ·Turn-constructional Component | 第25-26页 |
| ·Turn-allocational Component | 第26页 |
| ·Turn-taking Rules | 第26-28页 |
| ·Methods of Yielding a Turn | 第28-29页 |
| ·Methods of Claiming a Turn | 第29-30页 |
| ·Interruption, Overlap and Insertion | 第30-32页 |
| ·Researches on Turn-taking in Different Settings | 第32-39页 |
| ·Turn-taking in Daily Conversation | 第32-34页 |
| ·Turn-taking in Institutional Settings | 第34-39页 |
| ·Researches on Clinical Interviews, Courtrooms and Meetings | 第34-37页 |
| ·Researches on Classrooms | 第37-39页 |
| ·Studies on Northeast song-and-dance duets | 第39-43页 |
| ·Definition and Origin | 第39-41页 |
| ·Performing Forms and Artistic Features | 第41-43页 |
| ·Summary | 第43-45页 |
| Chapter Three Methodology | 第45-49页 |
| ·Introduction | 第45页 |
| ·Methodology of the Previous Study | 第45-46页 |
| ·Methodology of the Present Study | 第46-47页 |
| ·Data Collection | 第47-48页 |
| ·Summary | 第48-49页 |
| Chapter Four Theoretical Framework | 第49-54页 |
| ·Introduction | 第49页 |
| ·Verschueren's Adaptation Theory | 第49-51页 |
| ·Turn-taking as a Realization Mechanism of Adaptation | 第51-52页 |
| ·Why is Turn-taking Specific in Northeast Song-and-Dance Duets | 第51-52页 |
| ·What do the Actor and the Actress Adapt to | 第52-53页 |
| ·The Actors' and the Actresses' Adaptation to Their Own Conversational Circumstance | 第53页 |
| ·Summary | 第53-54页 |
| Chapter Five Analysis and Results | 第54-78页 |
| ·Introduction | 第54页 |
| ·The Actors' and the Actresses' Adaptation to Their Own Conversational Circumstance in the Phase of Turn Initiation | 第54-60页 |
| ·The Actors' and the Actresses' Adaptation to Their Own Conversational Circumstance in the Phase of Turn Development | 第60-76页 |
| ·Turn-type Allocation | 第60-62页 |
| ·Turn Control Strategies | 第62-76页 |
| ·Turn Yielding | 第62-67页 |
| ·Nomination | 第63-67页 |
| ·Turn Claiming | 第67-76页 |
| ·Insertion | 第68-70页 |
| ·Overlap | 第70-72页 |
| ·Interruption | 第72-75页 |
| ·Summary of Turn-claiming Methods | 第75-76页 |
| ·The Actors' and the Actresses' Adaptation to Their Own Conversational Circumstance in the Phase of Turn Ending | 第76-77页 |
| ·Summary | 第77-78页 |
| Chapter Six Conclusion | 第78-82页 |
| ·Introduction | 第78页 |
| ·Discussion of the Results | 第78-80页 |
| ·Limitations of This Study | 第80-81页 |
| ·Suggestions for Future Research | 第81-82页 |
| References | 第82-87页 |
| Publications | 第87页 |
