| Acknowledgements | 第1-8页 |
| Introduction | 第8-10页 |
| Chapter One: The Background of Middlemarch, the Forming of Professional Class | 第10-13页 |
| Ⅰ． The Forming of Professional Class in Victorian Age | 第10页 |
| Ⅱ． The Reflection of Professional Work in George Eliot's novels | 第10-13页 |
| Chapter Two: Casaubon and Lydgate, the Typical Conventional Masculinity | 第13-28页 |
| Ⅰ． Casaubon, An Emotionless Machine | 第13-17页 |
| Ⅱ． Lydgate, A Conceited Man with Too Much Confidence in His Sense | 第17-25页 |
| Ⅲ． Crisis of the Conventional Masculinity | 第25-28页 |
| Chapter Three: Sir James and Will Ladislaw, the New Pattern of Masculinity | 第28-37页 |
| Ⅰ． Sir James, A Man of Chivalry | 第28-32页 |
| Ⅱ． Will Ladislaw, A Passionate Artist with Adoration for Love and Beauty | 第32-37页 |
| Chapter Four: C． G． Jung's Theory, An Integrated Masculinity | 第37-40页 |
| Ⅰ． Redeeming the Anima in Man's Unconsciousness | 第37-38页 |
| Ⅱ． Renewal of Masculine And An Integrated Masculinity | 第38-40页 |
| Conclusion | 第40-41页 |
| Notes | 第41-43页 |
| Bibliography | 第43-45页 |
