| ACKNOWLEDGEMENTS | 第5-6页 |
| ABSTRACT | 第6-7页 |
| 摘要 | 第8-12页 |
| CHAPTER ONE INTRODUCTION | 第12-21页 |
| 1.1 Introduction of Drama Person of Interest | 第12-14页 |
| 1.2 A Brief Literature Review | 第14-17页 |
| 1.3 Significance of the Research | 第17-19页 |
| 1.4 Thesis Statement and Theoretical Framework | 第19-21页 |
| CHAPTER TWO CYBERPUNK STRUCTURE IN PERSON OF INTEREST | 第21-30页 |
| 2.1 Genesis and Development of Science Fiction | 第21-25页 |
| 2.1.1 An Overview of Science Fiction | 第22-24页 |
| 2.1.2 An Overview of Science Fiction Film and Television | 第24-25页 |
| 2.2 The Rise of Cyberpunk as a New Literary Genre | 第25-28页 |
| 2.3 Postmodern Cyberpunk Structure in Person of Interest | 第28-30页 |
| CHAPTER THREE CRITICISM OF PERSON OF INTEREST WITH JAMESON’S CULTURAL LOGIC | 第30-43页 |
| 3.1 Jameson’s Criticism on Science Fiction | 第30-33页 |
| 3.1.1 Jameson’s Concept on Future | 第31-32页 |
| 3.1.2 Six Stages on Science Fiction | 第32-33页 |
| 3.2 Utopia in Science Fiction | 第33-41页 |
| 3.2.1 Jameson’s Utopian Ideas with Science Fiction | 第35-37页 |
| 3.2.2 Utopia Manifestation in Person of Interest | 第37-41页 |
| 3.3 “Generic Discontinuities” in Person of Interest | 第41-43页 |
| CHAPTER FOUR CULTURAL APPRECIATION OF PERSON OF INTEREST | 第43-55页 |
| 4.1 Ethics of Mass Surveillance in Person of Interest | 第43-47页 |
| 4.2 Analysis of Artificial Intelligence in Person of Interest | 第47-52页 |
| 4.2.1 Artificial Intelligence Behavior in Person of Interest | 第47-50页 |
| 4.2.2 Postmodern Introspection on Artificial Intelligence | 第50-52页 |
| 4.3 Cultural Appreciation of Person of Interest | 第52-55页 |
| CHAPTER FIVE CONCLUSION | 第55-58页 |
| WORKS CITED | 第58-60页 |
