| Acknowledgements | 第4-5页 |
| Abstract | 第5-6页 |
| 摘要 | 第7-9页 |
| Introduction | 第9-19页 |
| 0.1 John Hawkes and The Blood Oranges | 第9-12页 |
| 0.2 Current Researches on John Hawkes and The Blood Oranges | 第12-14页 |
| 0.3 Bakhtin and His Theory of Carnivalization and Dialogism | 第14-17页 |
| 0.4 Thesis Structure | 第17-19页 |
| Chapter One Subversive Power in the Carnival Setting | 第19-28页 |
| 1.1 Carnival Setting: an Isolated Island | 第19-21页 |
| 1.2 The Decrowning Taking Place on the Island | 第21-28页 |
| Chapter Two Pursuing Freedom in Carnival Language and Images | 第28-35页 |
| 2.1. Pursuing Freedom in Carnival Language | 第28-31页 |
| 2.2. Pursuing Freedom in Carnival Images | 第31-35页 |
| Chapter Three The Dialogic Relationships in The Blood Oranges | 第35-42页 |
| 3.1 Macro-dialogue: Dialogue between the Characters and Hawkes | 第35-39页 |
| 3.2 Micro-dialogue: Cyril's Conflicted Monologue | 第39-42页 |
| Conclusion | 第42-44页 |
| Works Cited | 第44-46页 |
