| 摘要 | 第5-6页 |
| ABSTRACT | 第6-7页 |
| Chapter 1 Introduction | 第9-12页 |
| 1.1 Background of the Present Study | 第9-10页 |
| 1.2 Aims and Significance of the Thesis | 第10页 |
| 1.3 Organization of the Thesis | 第10-12页 |
| Chapter 2 Literature Review | 第12-20页 |
| 2.1 Studies about Narratology Abroad and at Home | 第12-16页 |
| 2.2 Studies about Mo Yan and His Female Images Abroad and at Home | 第16-18页 |
| 2.3 Comments on Related Studies and Significance of This Thesis | 第18-20页 |
| Chapter 3 Theoretical Framework and Research Methodology | 第20-36页 |
| 3.1 Genette’s Narrative Theory | 第20-23页 |
| 3.1.1 Zero Focalization | 第21页 |
| 3.1.2 Internal Focalization | 第21-22页 |
| 3.1.3 External Focalization | 第22-23页 |
| 3.2 Research Methodology | 第23-36页 |
| Chapter 4 Narratological Analysis of Female Images in Mo Yan’s Novelettes | 第36-71页 |
| 4.1 Images of Female Elders | 第36-44页 |
| 4.2 Images of Wives | 第44-53页 |
| 4.3 Images of Female Companions | 第53-59页 |
| 4.4 Images of Unacquainted Women | 第59-66页 |
| 4.5 Summary | 第66-71页 |
| Chapter 5 Conclusions | 第71-75页 |
| 5.1 Major Findings | 第71-73页 |
| 5.2 Limitations | 第73-74页 |
| 5.3 Suggestions for Further Studies | 第74-75页 |
| Acknowledgements | 第75-76页 |
| Bibliography | 第76-78页 |
| Research Results Obtained During the Study for Master Degree | 第78-79页 |
